Triana

Image copyright © Antonio J. Cañones, 2017
Image and permission received from the author via Mikel Unanue (e-mail of 12 October 2017)
Results: 10 records
design element - motifs - moulding - parallel
design element - motifs - torus-scotia
information
Scene Description: museum label as displayed in September 2017
Copyright Statement: Image copyright © Antonio J. Cañones, 2017
Image Source: digital photograph taken 30 September 2017 by Antonio J. Cañones
Copyright Instructions: Image and permission received from the author via Mikel Unanue (e-mail of 12 October 2017)
symbol - grapes and vine leaves
symbol - rope - knotted - Franciscan cingulum?
view of basin
view of basin - upper view
view of font
view of font
view of font in context
Scene Description: as displayed in the museum in September 2017
Copyright Statement: Image copyright © Antonio J. Cañones, 2017
Image Source: digital photograph taken 30 September 2017 by Antonio J. Cañones
Copyright Instructions: Image and permission received from the author via Mikel Unanue (e-mail of 12 October 2017)
INFORMATION
FontID: 21160TRI
Object Type: Baptismal Font1
Museum and Inventory Number: Museo de Málaga [formerly Museo Arqueológico Provincial de Málaga], Plaza de la Aduana, S/N, 29015 Málaga, Spain -- Tel.: +34 951 91 19 04
Church/Chapel: [original church unknown]
Church Location: [coordinates given are for the barrio of Triana, Seville, Spain, where the font was made]
Country Name: Spain
Location: Sevilla, Andalucía
Directions to Site: Triana is a quater of Seville
Font Location in Church: [in a museum]
Century and Period: 15th century [basin only] [composite font], Late Medieval
Cognate Fonts: others listed in BSI
Credit and Acknowledgements: We are grateful to Camino Torrens Alzu and to Antonio J. Cañones for their photographs of and information on this font
Font Notes:
Click to view
Basin of a baptismal font exhibited in the Museo de Málaga [formerly Museo Arqueológico Provincial de Málaga] in March 2017; the museum label identifies it as being made of glazed ceramic in the 15th century by a pottery ["alfar"] in Triana, a quarter of the city of Seville, Spain; the label further notes the decorative Eucharistic motifs of the grape bunches and leaves, and points out that in 1761 the then bishop of Malaga, fray Alonso de Santo Tomas, issued a decree to not only forbid the making of ceramic fonts but also to have those made earlier destroyed. Despite's fray Alonso's decree many of these glazed fonts have survived, a considerable sampling of them documented in BSI. The basin has actually a further motif of interest, a very thing 'cingulum' all around in the scotia below the upper rim, a Franciscan note that became popular in the decoration of many early-colonial fonts in America.
COORDINATES
Church Latitude & Longitude Decimal: 37.383581, -6.0052
Church Latitude & Longitude DMS: 37° 23′ 0.89″ N, 6° 0′ 18.72″ W
UTM: 29S 765153 4141635
MEDIUM AND MEASUREMENTS
Material: ceramic, glazed ceramic
Font Shape: hemispheric
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: no lining