Triana
Image copyright © Antonio J. Cañones, 2017
Image and permission received from the author via Mikel Unanue (e-mail of 12 October 2017)
Results: 10 records
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view of font in context
Scene Description: as displayed in the museum in September 2017
Copyright Statement: Image copyright © Antonio J. Cañones, 2017
Image Source: digital photograph taken 30 September 2017 by Antonio J. Cañones
Copyright Instructions: Image and permission received from the author via Mikel Unanue (e-mail of 12 October 2017)
view of basin - upper view
view of basin
symbol - grapes and vine leaves
symbol - rope - knotted - Franciscan cingulum?
design element - motifs - torus-scotia
design element - motifs - moulding - parallel
information
Scene Description: museum label as displayed in September 2017
Copyright Statement: Image copyright © Antonio J. Cañones, 2017
Image Source: digital photograph taken 30 September 2017 by Antonio J. Cañones
Copyright Instructions: Image and permission received from the author via Mikel Unanue (e-mail of 12 October 2017)
INFORMATION
Font ID: 21160TRI
Object Type: Baptismal Font1
Font Century and Period/Style: 15th century [basin only] [composite font], Late Medieval
Cognate Fonts: others listed in BSI
Museum: Museo de Málaga [formerly Museo Arqueológico Provincial de Málaga], Plaza de la Aduana, S/N, 29015 Málaga, Spain -- Tel.: +34 951 91 19 04
Church / Chapel Name: [original church unknown]
Font Location in Church: [in a museum]
Church Address: [coordinates given are for the barrio of Triana, Seville, Spain, where the font was made]
Site Location: Sevilla, Andalucía, Spain, Europe
Directions to Site: Triana is a quarter [barrio] of the city of Seville
Additional Comments: disused font (now in a museum) / fragment of font (basin only)
Font Notes:
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Basin of a baptismal font exhibited in the Museo de Málaga [formerly Museo Arqueológico Provincial de Málaga] in March 2017; the museum label identifies it as being made of glazed ceramic in the 15th century by a pottery ["alfar"] in Triana, a quarter of the city of Seville, Spain; the label further notes the decorative Eucharistic motifs of the grape bunches and leaves, and points out that in 1761 the then bishop of Malaga, fray Alonso de Santo Tomas, issued a decree to not only forbid the making of ceramic fonts but also to have those made earlier destroyed. Despite's fray Alonso's decree many of these glazed fonts have survived, a considerable sampling of them documented in BSI. The basin has actually a further motif of interest, a very thing 'cingulum' all around in the scotia below the upper rim, a Franciscan note that became popular in the decoration of many early-colonial fonts in America.
Credit and Acknowledgements: We are grateful to Camino Torrens Alzu and to Antonio J. Cañones for their photographs of and information on this font
COORDINATES
UTM: 29S 765153 4141635
Latitude & Longitude (Decimal): 37.383581, -6.0052
Latitude & Longitude (DMS): 37° 23′ 0.89″ N, 6° 0′ 18.72″ W
MEDIUM AND MEASUREMENTS
Material: ceramic, glazed ceramic
Font Shape: hemispheric
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: no lining