Marienwehr No. 1

Image copyright © Baptisteria Sacra Index, 2023
Results: 14 records
animal - mammal - lion - couchant-regardant - 4
animal - mammal - lion - couchant-regardant - detail
animal - mammal - lion - couchant-regardant - detail
design element - motifs - chevron
design element - motifs - interlace
design element - motifs - piping or ribbed - 4
design element - motifs - vine
information
information
view of basin - interior
view of basin - upper view
view of church exterior in context

Scene Description: Wallfahrtskirche Marienweiher
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital reproduction of a 1954 (?) B&W postcard or photograph [www.heimatsammlung.de/topo_unter/95/95_unter_02.htm] [accessed 11 September 2014]
Copyright Instructions: Assumed PD
view of church interior - nave - looking east

Scene Description: Wallfahrtskirche Marienweiher
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital reproduction of an old B&W postcard or photograph [www.heimatsammlung.de/topo_unter/95/95_unter_02.htm] [accessed 11 September 2014]
Copyright Instructions: Assumed PD
INFORMATION
FontID: 19420MAR
Museum and Inventory Number: Ostfriesisches Landesmuseum Emden, Brückstraße 1 | 26725 Emden, Germany
Church/Chapel: Wallfahrtskirche Marienweiher [now in a museum]
Church Location: 26725 Marienwehr, Niedersachsen, Germany
Country Name: Germany
Location: Ostfriesland, Niedersachsen
Font Location in Church: now in a museum
Century and Period: 13th century (early?), Late Romanesque
Workshop/Group/Artisan: Bentheim font, Sögel. d. Type IV [Drake]
Cognate Fonts: Arle, Hage, Hatzum, Marienhafe, Riepe
Church Notes: medieval church here demolished in late-19thC
Font Notes: Click to view font notes
Baptismal font made of sandstone; it consists of a tub or bucket-shaped basin decorated with three bands all around the upper band is a stylised geometric interlace, the middle band is a vine, and the lower band is a combination of chevron an demi-loops; raised on a base formed by a central shaft with vertical piping, and four stylised couchant lions at 90-degree angles; the lower base is plain and square. There is some minor damage on the upper rim. There are traces of reddish paint on the font. The font is one of three on permanent display at the Ostfriesisches Landesmuseum Emden, two of which are labeled as being from Marienwher [cf. Index entry for Marienwehr No. 2 for the other font]. The museum label describes the font as being of the Bentheim type, and relates it to those at Arle, Hage, Hatzum, Marienhafe and Riepe. This is probably the font Drake (2002) classes as "Bentheim School, Sögel. d. Type IV", with cognate fonts at Mitlingsmark and Wolzeten. Described and illustrated by Andreas Kessens in the Ostfriesisches Landesmuseum Emden site [www.landesmuseum-emden.de/306-0-68] [accessed 15 February 2016] as being made of "Betheimer Sanstein" ca. 1250. Kessens (ibid.) further notes that in 1877 the parishes of Marienwehr and Suurhusen were combined and the font from the former was donated to the Gesellschaft für bildende Kunst und vaterländische Altertümer; additionally, Kessens notes that the indentation or groove at the upper rim sugests the use of a water-holding insert made of lead or copper would have been used, especially, he remarks, as the font had no drainage [="keinen Abfluss"].
MEDIUM AND MEASUREMENTS
Material:
stone, sandstone (Bentheim)
Font Shape: bucket-shaped (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: no lining
Diameter (includes rim): 88 cm*
Basin Depth: 34 cm*
Font Height (less Plinth): 89 cm*
Notes on Measurements: * Andreas Kessens, Ostfriesisches Landesmuseum Emden [NB: font encased in the museum display; BSI unable to get own measurements]
REFERENCES
Drake, Colin Stuart, The Romanesque Fonts of Northern Europe and Scandinavia, Woodbridge, Suffolk: Boydell Press, 2002