Rushbrooke

Image copyright © Simon Knott, 2008
Standing permission
Results: 3 records
view of church interior - west end
Scene Description: the two fonts [cf. Font notes]
Copyright Statement: Image copyright © Simon Knott, 2008
Image Source: digital photograph taken 15 April 2008 by Simon Knott [http://www.flickr.com/photos/norfolkodyssey/2415674439/] [accessed 10 November 2009]
Copyright Instructions: Standing permission
view of font
Scene Description: the re-carved medieval font [cf. Font notes]
Copyright Statement: Image copyright © Simon Knott, 2008
Image Source: digital photograph taken 15 April 2008 by Simon Knott [http://www.flickr.com/photos/norfolkodyssey/2415674439/] [accessed 10 November 2009]
Copyright Instructions: Standing permission
view of font and cover
Scene Description: the 19th-century wooden font [cf. Font notes]
Copyright Statement: Image copyright © Simon Knott, 2008
Image Source: digital photograph taken 15 April 2008 by Simon Knott [http://www.flickr.com/photos/norfolkodyssey/2415674439/] [accessed 10 November 2009]digital photograph taken 15 April 2008 by Simon Knott [http://www.flickr.com/photos/norfolkodyssey/2415674439/] [accessed 10 November 2009]
Copyright Instructions: Standing permission
INFORMATION
FontID: 15696RUS
Object Type: Baptismal Font1
Church/Chapel: Parish Church of St. Nicholas
Church Patron Saints: St. Nicholas of Myra
Country Name: England
Location: Suffolk, East Anglia
Directions to Site: Located 5 km SE of Bury St. Edmunds
Ecclesiastic Region: Diocese of St Edmundsbury & Ipswich
Font Location in Church: Inside the church [cf. FontNotes]
Century and Period: 13th - 14th century [re-cut], Medieval [altered]
Credit and Acknowledgements: We are grateful to Simon Knott, of www.suffolkchurches.co.uk, for his photographs of the two fonts in this church
Font Notes:
Click to view
There is no mention of any font in Parker's 1855 entry for this church. Knott (2008) reports and illustrates two baptismal fonts in this church: "there are two fonts, a recut stone medieval one and a wooden Victorian one. I'm not sure where the stone one came from; it was brought here in the 1980s, and reunited with its column. It may even have been the original font, removed in the 19th century and returned here. But the wooden font is more interesting; an idiosyncratic design, the work of Colonel Rushbrooke, who lived at the Hall in the early 19th century". The stone font consists of an octagonal basin with vertical sides decorated with traceried panels containing charged shields and floral motifs on alternate sides; the underbowl chamfer is decorated with a large floral motif on each side; the octagonal stem has busy tracery all over, and the slightly splaying and moulded lower base appears to be the only part of the medieval font that has escaped the intense Victorian re-carving.
MEDIUM AND MEASUREMENTS
Material: stone
Font Shape: octagonal (mounted)
Basin Interior Shape: round
Basin Exterior Shape: octagonal