Kirby Cane / Chirebeia / Churchebey / Kercheby / Kerkeby / Kirkebia / Kirkeby / Kirkeby Kam / Kirkeby-Kam
Image copyright © Simon Knott, 2009
Standing permission
Results: 12 records
animal - mammal - lion - head - in a cusped panel
Copyright Statement: Image copyright © Simon Knott, 2009
Image Source: digital photograph taken 23 June 2009 by Simon Knott [www.norfolkchurches.co.uk/kirbycane/kirbycane.htm] [accessed 10 August 2009]
Copyright Instructions: Standing permission
design element - architectural - column - clustered columns - with capitals and bases - 8
Copyright Statement: Image copyright © Simon Knott, 2009
Image Source: digital photograph taken 23 June 2009 by Simon Knott [www.norfolkchurches.co.uk/kirbycane/kirbycane.htm] [accessed 10 August 2009]
Copyright Instructions: Standing permission
design element - motifs - floral - 8
Scene Description: varied flowers
Copyright Statement: Image copyright © Simon Knott, 2009
Image Source: digital photograph taken 23 June 2009 by Simon Knott [www.norfolkchurches.co.uk/kirbycane/kirbycane.htm] [accessed 10 August 2009]
Copyright Instructions: Standing permission
human figure - head - 8
Scene Description: [cf. Font notes]
Copyright Statement: Image copyright © Simon Knott, 2009
Image Source: digital photograph taken 23 June 2009 by Simon Knott [www.norfolkchurches.co.uk/kirbycane/kirbycane.htm] [accessed 10 August 2009]
Copyright Instructions: Standing permission
symbol - shield - blank - in a cusped panel - 4?
Copyright Statement: Image copyright © Simon Knott, 2009
Image Source: digital photograph taken 23 June 2009 by Simon Knott [www.norfolkchurches.co.uk/kirbycane/kirbycane.htm] [accessed 10 August 2009]
Copyright Instructions: Standing permission
view of basin - underbowl - detail
Scene Description: one of the heads on the underbowl
Copyright Statement: Image copyright © Evelyn Simak, 2009
Image Source: digital photograph taken 6 June 2009 by Evelyn Simak [www.geograph.org.uk/photo/1342285] [accessed 11 September 2013]
Copyright Instructions: CC-BY-SA-3.0
view of church exterior - northeast view
Copyright Statement: Image copyright © Evelyn Simak, 2009
Image Source: digital photograph taken 6 June 2009 by Evelyn Simak [www.geograph.org.uk/photo/1342241] [accessed 11 September 2013]
Copyright Instructions: CC-BY-SA-3.0
view of church exterior - south portal - detail
Scene Description: the Norman south portal, now enclosed in a later porch
Copyright Statement: Image copyright © George Plunkett, 2013
Image Source: B&W photograph taken 14 August 1976 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/K/Kirby Cane All Saints church Norman S door [5601] 1976-08-14.jpg] [accessed 11 September 2013]
Copyright Instructions: Standing permission by Jonathan Plunkett
view of church exterior - southeast view
Copyright Statement: Image copyright © George Plunkett, 2013
Image Source: B&W photograph taken 5 May 1976 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/K/Kirby Cane All Saints church from SE [5554] 1976-06-05.jpg] [accessed 11 September 2013]
Copyright Instructions: Standing permission by Jonathan Plunkett
view of church exterior - southwest end
Copyright Statement: Image copyright © Evelyn Simak, 2009
Image Source: digital photograph taken 6 June 2009 by Evelyn Simak [www.geograph.org.uk/photo/1342245] [accessed 11 September 2013]
Copyright Instructions: CC-BY-SA-3.0
view of church interior - nave - looking east
Copyright Statement: Image copyright © Evelyn Simak, 2009
Image Source: digital photograph taken 6 June 2009 by Evelyn Simak [www.geograph.org.uk/photo/1342257] [accessed 11 September 2013]
Copyright Instructions: CC-BY-SA-3.0
view of church interior - nave - looking west
Scene Description: the font and cover are visible at the west end, by the tower entranceway
Copyright Statement: Image copyright © Evelyn Simak, 2009
Image Source: digital photograph taken 6 June 2009 by Evelyn Simak [www.geograph.org.uk/photo/1342277] [accessed 11 September 2013]
Copyright Instructions: CC-BY-SA-3.0
INFORMATION
FontID: 15109KIR
Church/Chapel: Parish Church of All Saints
Church Patron Saints: All Saints
Church Location: Loddon Road (Wash Lane), Kirby Cane, Norfolk NR35 2HN
Country Name: England
Location: Norfolk, East Anglia
Directions to Site: Located 3 km NNE of Ellingham, 3 km NW of Beccles, 5 km NE of Bungay, 6 km S of Loddon
Ecclesiastic Region: Diocese of Norwich
Historical Region: Hundred of Clavering
Font Location in Church: Inside the church, at the W end
Date: ca. 1360-1380?
Century and Period: 14th century, Decorated
Workshop/Group/Artisan: heraldic font
Credit and Acknowledgements: We are grateful to Simon Knott, of www.norfolkchurches.co.uk, for his photographs of this font; we are also grateful to Jonathen Plunkett for the photographs of this church taken by his father, George Plunkett, in 1976
Church Notes: round-tower church [Norman round tower?]
The Domesday entry for "Kercheby", transcribed and translated in Blomefield (1805-1810), reports "a church endowed with 20 acres in free alms, and 2 parts of a church endowed with 14 acres". Blomefield (ibid.) writes about the Kirkeby church of his time: "The Church is a rectory dedicated to All-Saints, and the patronage belonged to the abbot of Bury's manor. [...] In 1268, Laurence de Monteforti was instituted rector, presented by Richard de Cam." Blomefield (ibid.) makes an interesting, and perhaps etymologically questionable, comment about the toponym 'Kirkeby', basing his argument on the shaky spelling of the Domesday text: "It is generally said that towns beginning with Kirke, signifies that their site is by some church, [...] but it rather is a compound word, and wrote, as in Domesday, Ker, Che, or Ke; Kerkstead is wrote Ker-chessstead, Ches, or Che, signifies always water, and Ker, is tbe same as Car; thus Carbroke is wrote Cherebroc, and sets forth a clear water, as Kercheby does a dwelling by clear water." Bell (1927) lists an 1839 water-colour drawing of this font by Miles Edmund Cotman in the Bulwer Collection. Described in Pevsner & Wilson (1999): "Against the stem eight shafts. Against the underside of the bowl eight heads (the hairstyle of one is typical of c. 1360-80). Against the bowl shields in cusped fields." Noted and illustrated in Knott (2009): "The font is a fine example from the 14th century. [Its] traceried panels were probably painted once, and the heads peering from beneath the bowl are all different. The font cover remembers the Coronation of Edward VII [i.e., 1902], the first there had been of a British monarch in 65 years." The cusped panels of the basin sides have shields, lion head, etc. inscribed in them; human heads at the angles of the underbowl, flowers on the sides between them; the colonnettes of the base have moulded capitals and bases. The wooden cover is a modern rendering of the classic Jacobean design of a flat flatform with raised ribs. [NB: the church reported in Domesday [cf. supra] may have existed at the time when Ælgiva [aka Ælgiva Ymma / Emma?] gave "The principal manor in this town was in the abbey of St. Edmund of Bury [...] about the year 1020, when King Canute, her lord, was a great benefactor to that abbey." (Blomefield (ibid.) -- we have no information on the earlier font here].
COORDINATES
Church Latitude & Longitude Decimal:
52.493151,
1.494201
Church Latitude & Longitude DMS:
52° 29′ 35.35″ N,
1° 29′ 39.13″ E
UTM: 31U 397769 5816956
MEDIUM AND MEASUREMENTS
Material:
stone
Font Shape: octagonal (mounted)
Basin Interior Shape: round
Basin Exterior Shape: octagonal
LID INFORMATION
Date: 20th-century?
Material:
wood,
oak?
Apparatus: no
Notes: [cf. FontNotes]
REFERENCES
Bell, C.F., Miles Edmund Cotman (1810-1858): with a catalogue of fifty drawings by him, selected from the Bulwer Collection, London: Walker's Galleries, [1927?]
Blomefield, Francis, An essay towards a topographical history of Norfolk, 1805-1810
Knott, Simon, The Norfolk Churches Site, Simon Knott, 2004. [standing permission to reproduce images received from Simon (February 2005]. Accessed: 2009-08-10 00:00:00. URL: www.norfolkchurches.co.uk.
Pevsner, Nikolaus, Norfolk 2: North-West and South (2nd ed.), London: Penguin, 1999