Torcello No. 2

Main image for Torcello No. 2

Image copyright © Massada Press Ltd., 1971

PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

Results: 8 records

B01: animal - fabulous animal or monster? - 4

Scene Description: [cf. Font notes]
Copyright Statement: Image copyright © Massada Press Ltd., 1971
Image Source: detail of a B&W photograph in Barasch (1971)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

BBU01: design element - motifs - palmette

Scene Description: a band of, all around
Copyright Statement: Image copyright © Massada Press Ltd., 1971
Image Source: detail of a B&W photograph in Barasch (1971)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

BH01: human figure - head - 4

Scene Description: [cf. Font notes]
Copyright Statement: Image copyright © Massada Press Ltd., 1971
Image Source: detail of a B&W photograph in Barasch (1971)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

LB01: design element - motifs - moulding

Scene Description: forming the lower base
Copyright Statement: Image copyright © Massada Press Ltd., 1971
Image Source: B&W photograph in Barasch (1971)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

LBF01: human figure - seated - hands on lap - 4

Scene Description: [cf. Font notes]
Copyright Statement: Image copyright © Massada Press Ltd., 1971
Image Source: detail of a B&W photograph in Barasch (1971)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of stoup

Copyright Statement: Image copyright © St. Hilarion Monastery, [2006?]
Image Source: digital image in 'Culture of the Orthodox Church', p. 2 [www.odox.net/Liturgy-Western-Culture2.htm]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of stoup

Copyright Statement: Image copyright © Massada Press Ltd., 1971
Image Source: B&W photograph in Barasch (1971)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of stoup

Copyright Statement: Image copyright © Massada Press Ltd., 1971
Image Source: detail of a B&W photograph in Barasch (1971)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

INFORMATION

FontID: 12523TOR
Object Type: Stoup
Church/Chapel: Cattedrale di Santa Maria Assunta
Church Patron Saints: The Assumption of St. Mary
Country Name: Italy
Location: Venezia, Veneto
Directions to Site: Island located in the N of the lagoon -- boat access from Burano
Font Location in Church: Inside the church
Century and Period: 11th century (late?), Romanesque
Cognate Fonts: Acre No. 2, Pomposa, etc. [cf. FontNotes]
Font Notes:
Noted in Masolino (1964). Described and illustrated in Barasch (1971): "remarkable [...] holy-water basin in the Cathedral of Torcello [...] probably a work of the late eleventh century", which he notes as having some common elements with the basin of a stoup at Acre [cf. Index entry for Acre No. 2]. Noted in 'Culture of the Orthodox Church' [www.odox.net/Liturgy-Western-Culture2.htm]: "11th-century holy water stoup". The stoup consists of a roughly hemispherical basin decorated with a band of plamette motif around the upper basin side, four human heads at 90-degree angles, and four animals upside down also at 90-degree angles in the position of handles; there is much damage to the upper rim, especially on the sides near the wall; below the underbowl is another band of foiliated motif, and four (?) full-figure hieratic-looking humans seated and with their hands on their laps, forming the support, much as atlante or cariatide figures usually do; this is raised on a columnar stem, a round moulded lower base and a small square plinth.

MEDIUM AND MEASUREMENTS

Material: stone
Font Shape: hemispheric (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round

REFERENCES

Barasch, Moshe, Crusader figural sculpture in the Holy Land: twelfth century examples from Acre, Nazareth and Belvoir Castle, Ramat Gan: Massada Press, 1971
Masolino, G., Torcello: the Jewel of the Lagoon, Venice: [s.n.], 1964