Willen / Wilies / Wilinges / Wilne / Wylie / Wyllyen / Wyllyn / Wylyene

Image copyright © John Salmon, 2012
CC-BY-SA-2.0
Results: 9 records
angel - cherub
design element - motifs - drapery
design element - motifs - foliage
design element - motifs - garland
design element - motifs - vase
human figure - putto - head
view of church exterior - south view
view of church exterior - west view
INFORMATION
FontID: 09904WIL
Object Type: Baptismal Font1
Church/Chapel: Parish Church of St. Mary Magdalene
Church Patron Saints: St. Mary Magdalene
Church Location: 1 The Hooke, Willen, Milton Keynes MK15 9AA
Country Name: England
Location: Buckinghamshire, South East
Directions to Site: Located off the M1, just NE of Milton Keynes
Ecclesiastic Region: Diocese of Oxford
Historical Region: Hundred of Newport
Font Location in Church: Inside the church
Date: ca. 1680?
Century and Period: 17th century(late?), Restoration
Workshop/Group/Artisan: designed (?) by Robert Hooke
Font Notes:
Click to view
No individual entry found for Willen in the Domesday survey. Sheahan (1862) reports that the medieval church "was rebuilt in 1680 [...] the font, of marble, is ornamented with heads of cherubim, and has a carved oak cover". Listed in Betjeman (1958). Illustrated in Blatch (1995) with caption: "A contemporary font of Wren type -- in Willen Church, Buckinghamshire for which Robert Hooke was the architect". The Victoria County History (Buckingham, vol. 4, 1927) notes: "The church was bestowed before 1150 by Philip de Kaynes on Tickford Priory. [...] A church has existed here from the 12 th century, [...] but the ancient structure, having probably fallen into decay, (fn. 45) was removed in 1680, and the present nave tower and vestries were built by Dr. Richard Busby, head master of Westminster School, from designs, it is said, by his former pupil, Sir Christopher Wren. No traces are now left to indicate the character of the earlier structure [...] The apse was added in 1862, and the whole church was then restored. [..] The font has an octagonal bowl of white marble enriched on the upper edge with cherubs' heads and conventional scrolls connected by festoons of drapery, and at the bottom with acanthus leaves; both the baluster-shaped stem and the square base are of black marble. The elaborate oak cover has a band of cherubs' heads at the base, a domical top with floral enrichments, and an urn-shaped finial." The font consists of a square white marble basin decorated with cherubs the wings stretch out almost parallel with the drapery hanging below them, and volutes; the underbowl has foliage motif in high relief; the stem of the base is of the baluster type, and is octagonal at the top and middle but ends below in a round moulded shape, raised on three square volumes. The wooden cover is of the dome type, the lower volume with vertical sides decorated with putti heads, the dome itself with garlands running upwards toward the vase-like finial. [NB: we have no information on the earlier font replaced during the 1680 re-building of this church]
COORDINATES
Church Latitude & Longitude Decimal: 52.062304, -0.719246
Church Latitude & Longitude DMS: 52° 3′ 44.29″ N, 0° 43′ 9.29″ W
UTM: 30U 656347 5770423
MEDIUM AND MEASUREMENTS
Material: stone, marble
Number of Pieces: three?
Font Shape: square (mounted)
Basin Exterior Shape: square
LID INFORMATION
Date: 17th century?
Material: wood, oak?
Apparatus: yes [the finial has a metal ring for hooking to a lifting apparatus]
Notes: [cf. FontNotes]
REFERENCES
Victoria County History [online], University of London, 1993-. Accessed: 2011-04-27 00:00:00. URL: https://www.british-history.ac.uk.
Betjeman, John, An American's Guide to English Parish Churches (including the Isle of Man), New York: McDowell, Obolensky, 1958
Blatch, Mervyn, Guide to London's churches (2. ed.), London: Constable, 1995
Jenkins, Simon, England's Thousand Best Churches, London and New York: Allen Lane, the Penguin Press, 1999 [2000 rev. printing]
Sheahan, James Joseph, History and topography of Buckinghamshire, comprising a general survey of the county, preceded by an epitome of the early history of Great Britain, London; Pontefract: Longman, Green, Longman, and Roberts; William Edward Bonas [...], 1862