Areley Kings No. 1 / Arely Regis / Arleia / Arley Kings / Arleye Kyng / Armleg / Earnley-by-Severn / Ernel / Erneleie / Ernleie / Larlegh de Rege / Hernelia / Kyngys Arelei / Lower Areley / Neather Arley

Main image for Areley Kings No. 1 / Arely Regis / Arleia / Arley Kings / Arleye Kyng / Armleg / Earnley-by-Severn / Ernel / Erneleie / Ernleie / Larlegh de Rege / Hernelia / Kyngys Arelei / Lower Areley / Neather Arley

Image copyright © P L Chadwick, 2013

CC-BY-SA-3.0

Results: 7 records

view of base - detail

Scene Description: the lines demarcating the original fragment can be seen clearly here
Copyright Statement: Image copyright © Dobbins, 2011
Image Source: detail of a digital photograph May 2011 by Dobbin in [http://dobbinschurches.blogspot.ca/2011/05/areley-kings-worcestershire.html] [accessed 21 November 2013]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of base - detail - inscription

Copyright Statement: Image copyright © The Corpus of Romanesque Sculpture in Britain and Ireland, 2014
Image Source: B&W photograph in the CRSBI [www.crsbi.ac.uk/site/382/] [accessed 22 October 2014]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of base - detail - inscription

Copyright Statement: Image copyright © The Corpus of Romanesque Sculpture in Britain and Ireland, 2014
Image Source: B&W photograph in the CRSBI [www.crsbi.ac.uk/site/382/] [accessed 22 October 2014]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of base - detail - inscription

Copyright Statement: Image copyright © The Corpus of Romanesque Sculpture in Britain and Ireland, 2014
Image Source: B&W photograph in the CRSBI [www.crsbi.ac.uk/site/382/] [accessed 22 October 2014]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of church exterior - south view

Scene Description: the tower's unusual position in relation to the nave
Copyright Statement: Image copyright © P L Chadwick, 2013
Image Source: digital photograph taken 25 August 2013 by P L Chadwick [www.geograph.org.uk/photo/3750422] [accessed 21 November 2013]
Copyright Instructions: CC-BY-SA-3.0

view of font

Copyright Statement: Image copyright © The Corpus of Romanesque Sculpture in Britain and Ireland, 2014
Image Source: B&W photograph in the CRSBI [www.crsbi.ac.uk/site/382/] [accessed 22 October 2014]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of font in context

Scene Description: only part of the lower base is original
Copyright Statement: Image copyright © Dobbins, 2011
Image Source: digital photograph May 2011 by Dobbin in [http://dobbinschurches.blogspot.ca/2011/05/areley-kings-worcestershire.html] [accessed 21 November 2013]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

INFORMATION

FontID: 09820ARE
Object Type: Baptismal Font1 (fragment)
Church/Chapel: Parish Church of St. Bartholomew
Church Patron Saints: St. Bartholomew
Church Location: Rectory Lane, Areley Kings, Stourport-on-Severn, Worcestershire DY13 0TB
Country Name: England
Location: Worcestershire, West Midlands
Directions to Site: Located on the A451, just SW of Stourport-on-Severn, and now adjacent to it, 16 km NNW of Worcester
Ecclesiastic Region: Diocese of Worcester
Historical Region: Hunbdred of Doddingtree
Font Location in Church: Inside the church
Century and Period: 12th century [fragment] [composite font], Medieval [composite]
Font Notes:
No entry found for Areley Kings in the Domesday survey. Walford's Antiquarian of 1885 (vol. 8, no. 43: 194) notes; "The church of Areley Kings, in the suburbs of Stourport, on the banks of the Severn, is now undergoing restoration and material alteration [...] Fragments of a Norman font were also found, but the most interesting discovery was the traces of letters on the front step-stones which, after removal of paint and whitewash, were found to be "TEMPORE LA[Y]AMANNI : SANTI." It is on record that the Poet Layaman was priest of Earnley by Severn, and it is assumed that Earnley was the old name of Areley Kings." Miller (1890) notes the fragments and inscription, and remarks on the survival of the old holy water stoup from the old church. [cf. Index entry for Areley Kings No. 2]. Andrews (1912) notes: "When the floor of the church was taken up several dressed stones were found which had formed part of a circular Norman font; they were lettered in 13th-century style "Tempore La Amanni Santi". [NB: the early Middle English poet Layamon, aka Lawamon, Lazamon, lived in Arley Kings ca. 1200]. Andrews (ibid.) adds: "The font at Areley Kings has been largely restored, and being in the neighbourhood of the reputed birthplace of Layaman, bears the following inscription -- TEMPORE LAVAMANNI SANTI." The Victoria County History (Worcester, vol. 4, 1924) notes: "The earliest mention of the church at Areley is probably Lazamon's reference, circa 1200, to the noble church upon the Severn's bank at 'Ernleie.' [...] The church was entirely rebuilt in 1885–6, with the exception of the chancel and tower. A 12thcentury window recently opened up in the south wall of the chancel places its early origin beyond doubt. The tower is of the late 14th century. The whole building, modern and ancient, is of sandstone ashlar [...] Fragments of the stem and base of the font are of the 12th century, and were discovered on the demolition of the nave; along the base is carved in Roman characters: '+ tempore: la ... amanni [...] : santi' (sic). From the character of the lettering, the inscription appears to be of the early 17th century." [fn.24: "The third letter is indecipherable. The inscription is said to refer to Lazamon, the writer of the paraphrase of the Brut, who according to his own account dwelt at Ernleie at a noble church upon the Severn near Radestone (Madden, Lazamon's Brut [Soc. Antiq.], i, 1, from Cott. MS. Calig. A ix)"]. In Pevsner (1968): "Font. The base Norman with an inscription 'Tempore. La. . amanni santi'. This refers to Layamon, the author of Brut. He died in 1200 and was priest at Earnley-by-Severn which may well mean Areley." Ditto in Brooks & Pevsner (2007). Described in the CRSBI (2014): "Only fragments of the stem and base are of the 12thc. These were discovered during the demolition of the nave" [the CRSBi then follows much along the VCH description above].

COORDINATES

Church Latitude & Longitude DMS: 52° 20' 10.56" N, 2° 17' 30.69" W
UTM: 30U 548146 5798125

MEDIUM AND MEASUREMENTS

Material: stone, sandstone?
Number of Pieces: [fragments]
Font Shape: round (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round

INSCRIPTION

Inscription Language: Latin
Inscription Notes: [cf. FontNotes]
Inscription Location: Along the base
Inscription Text: "+ TEMPORE: LA[v]AMANNI : SANTI"
Inscription Source: [cf. FontNotes]

REFERENCES

Victoria County History [online], University of London, 1993-. Accessed: 2008-04-24 00:00:00. URL: https://www.british-history.ac.uk.
Andrews, Francis Baugh, Memorials of Old Worcestershire, London: George Allen & Unwin, 1912
Brooks, Alan, Worcestershire, New Haven; London: Yale University Press, 2007
Corpus of Romanesque Sculpture in Britain and Ireland, The Corpus of Romanesque Sculpture in Britain and Ireland, The Corpus of Romanesque Sculpture in Britain and Ireland. Accessed: 2004-06-29 00:00:00. URL: http://www.crsbi.ac.uk.
Pevsner, Nikolaus, Worcestershire, Harmondsworth: Penguin, 1968