Glencairn Museum No. 7
Image copyright © The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania, 2004
Image and Permission received (e-mail 10/3/2004)
Results: 3 records
B01:
animal - mammal - quadruped - inverted
Scene Description: in pairs around the sides
Copyright Statement: Image copyright © The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania, 2004
Image Source: The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania
Copyright Instructions: Image and Permission received (e-mail 10/3/2004)
B02:
design element - motifs - rope
Scene Description: held in the mouth of the inverted animals
Copyright Statement: Image copyright © The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania, 2004
Image Source: The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania
Copyright Instructions: Image and Permission received (e-mail 10/3/2004)
view of stoup
Copyright Statement: Image copyright © The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania, 2004
Image Source: The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania
Copyright Instructions: Image and Permission received (e-mail 10/3/2004)
INFORMATION
FontID: 09420GLE
Museum and Inventory Number: The Glencairn Museum, The Academy of the New Church, Bryn Athyn, PA
Church/Chapel: [provenance unknown]
Country Name: United States
Location: Pennsylvania
Directions to Site: The Glencairn Museum of the Academy of the New Church, is located in Bryn Athyn, Pennsylvania
Font Location in Church: [in a museum]
Century and Period: 12th century (early), Romanesque
Described and illustrated in Cahn (1979-1999, vol. II: 94): "Capital. Northern Spain. Limestone. First half of the XIIth century[...] -- This large capital, of unknown provenance, has a bulky, chalice-like bell joined at the base to a short and disproportionately slender neck and astragal. The upper part of the block exhibits the volute structure and abacus of the Corinthian order. A pair of inverted feline quadrupeds placed back to back fill each of the four places. The carving has a boldly tectonic, yet buoyantly springy quality. The motif of paired lions, twisting back to bite their tails or extremities, occurs in Romanesque sculpture on both sides of the Pyrenees." [NB: Cahn's catalogue shows this entry with inventory No. 09.SP.163, which appears to be the correct one]. The Glencairn Museum facilitated the following description to BSI for their item with inventory no. 09.SP.164 [error in the communication? -- both appear to refer to the same piece]: "Sculpture, limestone. French. Capital with inverted beasts. XIIth century. Provenance: [unknown]. Description: very large capital with two inverted beasts on each side (horse-like), one pair of legs supporting each corner volute. The bodies of the animals are tied with ropes, each one holds on e end of the rope between its teeth, the ropes end in large balls. Vigorous but rather crude carving. Condition: good; slight damage to base and abacus." [We are grateful to The Glencairn Museum, Academy of the New Church, Brynn Athyn, Pennsylvania, and to Nathan Cole, for the information on, and images of this object]
MEDIUM AND MEASUREMENTS
Material:
stone, limestone
Number of Pieces: one
Font Shape: Other (capital)
Basin Exterior Shape: Other (capital)
Basin Total Height: 43. 7 cm
Trapezoidal Basin: 43.7 x 43.7 cm
Notes on Measurements: The Glencairn Museum [e-mail to BSI 10/3/2004]; in Cahn (1979-1999, vol. II: 94)
REFERENCES
Cahn, Walter, Romanesque Sculpture in American Collections (2 vols.), New York [v.1]; Turnhout, Belgium [v.2]: B. Franklin [v. 1]; Brepols [v.2], 1979-1999
Hayward, J., Radiance and Reflection: Medieval Art from the Raymon Pitcairn Collection, New York: The Metropolitan Museum of Art, 1982