Chelwood

Image copyright © John Wilkes, 2008
Standing permission
Results: 6 records
B01: design element - motifs - scroll or curl - 4
B02: design element - motifs - circle - concentric
BBU01: design element - motifs - scallop
![just outlined on the stone, all around the upper basin sides -- is this part of the unfinished work? [cf. Font notes]](/static-50478a99ec6f36a15d6234548c59f63da52304e5/compressed/1080203004_compressed.png)
Scene Description: just outlined on the stone, all around the upper basin sides -- is this part of the unfinished work? [cf. Font notes]
Copyright Statement: Image copyright © John Wilkes, 2008
Image Source: digital photograph taken 2 February 2008 by John Wilkes [www.allthecotswolds.com]
Copyright Instructions: Standing permission
LB01: design element - motifs - roll moulding
view of church exterior - southeast view
INFORMATION
FontID: 09150CHE
Church/Chapel: Parish Church of St. Leonard
Church Patron Saints: St. Leonard
Country Name: England
Location: Somerset, South West
Directions to Site: Located on the A368, just E of the A37, 3 km SE of Pensford, 22 km S of Bristol
Font Location in Church: Inside the church
Century and Period: 12th century, Norman
Cognate Fonts: the fonts at Castlemartin and Hinton Blewett [cf. FontNotes]
Credit and Acknowledgements: We are grateful to John Wilkes, of www.allthecotswolds.com, for his photographs of church and font
Font Notes: Click to view font notes
Noted in Kelly's Directory of 1883: "old Norman font". Wade & Wade (1929) note: "an ancient font (probably Norm[an])". Described in Pevsner (1958): "Norman, circular, or rather with a large block capital rounded at the top corners. At the edges tiny volutes. Top frieze of something like lambrequins." Described by Peter Lord, in Diwylliant... (1998-2003) as an example of unfinished baptismal font, "which suggests that it was the practice to roughout the shape and incise the general design at the quarry or central workshop, and carry out the detailed carving at the church" [NB: compare Lord's theory with the evidence of the export of finished fonts from Tournai, Gotland, etc. -- especially Lars Berggren's "The export of limestone and limestone fonts" in Cogs, Cargoes, and Commerce: Maritime Bulk Trade in Northern Europe, 1150-1400 (Toronto: PIMS, 2002)]. Thurlby (2006) notes the similarities in the treatment of the decorative elements on the fonts at Castlemartin, Chelwood and Hinton Blewett. [NB: is this a case of an unfinished font or has the original carving been semi-erased? -- font not yet inspected in situ by BSI]
MEDIUM AND MEASUREMENTS
Material:
stone
Font Shape: square (mounted)
Basin Interior Shape: square
Basin Exterior Shape: square
LID INFORMATION
Notes: there are holes in the rim of the basin at opposite angles; were the staples for the cover removed or never installed?
REFERENCES
The Visual Culture of Wales = Diwylliant gweledol Cymru, Cardiff: University of Wales Press, 1998-2003
Kelly, Eric Robert, Kelly's Directory of Somersetshire with the city of Bristol, London: Kelly & Co., 1883
Pevsner, Nikolaus, North Somerset and Bristol, Harmondsworth: Penguin Books, 1958
Thurlby, Malcolm, Romanesque architecture and sculpture in Wales, Little Logaston, Woonton, Almeley, Herts.: Logaston Press, 2006
Wade, G.H., Somerset, London: Methurn & Co., 1929