Naranco / Santa Maria de Naranco

Image copyright © Baptisteria Sacra Index, 2023
Results: 7 records
BBL01: design element - motifs - moulding - flat moulding
view of church exterior
view of font
view of font in context
Scene Description: To the right of the door; the fragment is already much reduced in size [photograph ca. 1967?]
Copyright Statement: Image copyright © Bonet Correa, 1967
Image Source: digital image of an illustration in Bonet Correa (1967: pl. 62)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE
view of font in context
Scene Description: To the right of the door; the fragment is already much reduced in size [photograph ca. 1967?]
Copyright Statement: Image copyright © Bonet Correa, 1967
Image Source: digital image of an illustration in Bonet Correa (1967: pl. 68)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE
view of font in context
Scene Description: To the right of the door; the font is almost whole, with only one chunk missing on the side [photograph ca. 1947?]
Copyright Statement: Image copyright © Ars hispaniae, 1947
Image Source: Ars hispaniae (1947: fig. 373)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE
view of font in context
Scene Description: To the right of the door; the font is almost whole, with only one chunk missing on the side [photograph ca. 1947?]
Copyright Statement: Image copyright © Ars hispaniae, 1947
Image Source: Ars hispaniae (1947: fig. 373)
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE
INFORMATION
FontID: 08441NAR
Object Type: Baptismal Font1 (fragment)
Church/Chapel: Iglesia de San Miguel de Lillo [orig. from Santa Maria de Naranco?]
Country Name: Spain
Location: Asturias, Principado de Asturias
Directions to Site: Both San Miguel de Lillo and Santa Maria de Naranco are located in the same area, only about 200 yards from each other
Historical Region: Oviedo
Font Location in Church: [now located inside the church at San Miguel de Lillo]
Century and Period: 9th - 11th century, Pre-Romanesque
Cognate Fonts: The font at Santa Eulalia de Morcin and probably the font from Mazariegos now at the Museo Arqueológico Nacional in Madrid
Font Notes:
Click to view
In his book on Spain and the Spaniards (1842-1844) Widdrington relates his visit to the church of Santa Maria de Naranco and subsequent encounter with the priest ther: "I had observed that the baptismal font was modern, and we came out I noticed a round hollow block of white marble, about a yard in diameter, perfectly plain, but looking like a piece of a column, lying near the entrance, and on inquiring, he said it was the old font, and that when he repaired the church, he had turned it ou! I made a sort of remonstrance on this strange proceeding, when he said, with a hearty laugh, 'I take care of antiquities and things valuable, but I care nothing about such as this, and so I kicked it out and put a better one in its place!' The substitute was a sort of bad classic imitation of porphyry". Described and illustrated in García de Castro (1995): a fragment of the underbowl and part of the side of the original baptismal font from the 9th century; this author argues that the fragment currently at Lillo is actually what is left of the baptismal font at Santa Maria de Naranco and presents supporting documentation to prove his thesis. One of these documents is a ca. 1908 photograph of the Naranco font in the Archivo MAS [negative C 25 420] published in F. Selgas Albuerne's Monumentos ovetenses del s. IX" (1908: p. opp. p. 120) in which it appears located near the disappeared north steps of the north portal. Ars hispaniae (1947: pl. 373) shows the façade of San Miguel de Lillo; the font is clearly visible outside, to the right of the door: it is a barrel-shaped font with two (?) broad flat mouldings in its middle; there is obvious damage to the rim and upper side, a large chunk missing on one side. Bonet Correa (1967: pls. 62 and 68) shows the same view but obviously at a later date: the sides of the font are reduced alarmingly, with only a part of the side and the bottom now remaining. The fragment shown in García de Castro [cf. supra] presents an appearance consistent with the images in Schlunk and Bonet Correa, with even less of the side left. On-site notes [visited on June 2, 2005]: the fragment shown in the earlier pictures has been moved inside the church at San Miguel de Lillo and is located in a croner of the transept; the fragment measures 142 cm in outer diametre and 76 inside; the total height at the tallest end is 25 cm; it has a central drain -- we were not allowed to photograph the fragment during our visit]. [cf. Index entry for Lillo for information on the disappeared fragment of the Lillo font]
MEDIUM AND MEASUREMENTS
Material: stone, limestone (white)
Number of Pieces: fragment
Font Shape: cylindrical
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: diameter of hole: 3 cm
Rim Thickness: 12 cm* [measured at the drain hole]
Diameter (inside rim): 75.5 cm*
Diameter (includes rim): 108 cm*
Height of Basin Side: 24 cm*
Notes on Measurements: García de Castro (1995: 242) *[all measurents given by GdeC correspond to the survivng fragment now lovated in Lillo]
REFERENCES
Ars hispaniae: historia universal del arte hispánico, Madrid: Editorial Plus-Ultra, 1947-
Bonet Correa, 1967
García de Castro Valdés, César, Arqueología cristiana de la alta Edad Media en Asturias, Oviedo: Real Instituto de Estudios Asturianos, 1995
Widdrington, S.E. [captain, Royal Navy], Spain and the Spaniards, in 1843, London: T. & W. Boone, 1842-1844