Bromley

Image copyright © [in the public domain]

PD

Results: 3 records

B01: design element - architectural - arcade - blind - round arches - 16 arches

Scene Description: [cf. Font notes]

Copyright Statement: Image copyright © [in the public domain]

Image Source: drawn and engraved by John Greig for the Antiquarian and Topographical Cabinet, in Storer (1807-1811)

Copyright Instructions: PD

BBL01: design element - motifs - scotia

Copyright Statement: Image copyright © [in the public domain]

Image Source: drawn and engraved by John Greig for the Antiquarian and Topographical Cabinet, in Storer (1807-1811)

Copyright Instructions: PD

view of font

Scene Description: on a modern brick base and stone plinth [cf. Font notes]

Copyright Statement: Image copyright © [in the public domain]

Image Source: drawn and engraved by John Greig for the Antiquarian and Topographical Cabinet, in Storer (1807-1811)

Copyright Instructions: PD

INFORMATION

FontID: 06876BRO
Church/Chapel: Parish Church of St. Peter and St. Paul
Church Patron Saints: St. Peter & St. Paul
Country Name: England
Location: Greater London, South East
Directions to Site: Formerly in Kent, Bromley is now one of the largest boroughs of London
Historical Region: formerly Kent
Font Location in Church: Inside the church
Century and Period: 12th century [basin only], Medieval [composite]
Cognate Fonts: The font at Woodchurch, also in Kent , is made of black 'marble' as well
Noted in 'The environs of London' (1796): "The font is square; of Norman architecture; the sides are ornamented with rows of plain circular arches". Noted and illustrated in Storer (1807-1811), with an engraving by John Greig, where the square basin appears raised on a broad quadrangular base made of bricks, and a stone plinth of the same shape: "The Font, which is an excavated block of Purbeck, is elevated by brick-work, and bears undoubted evidence of its high antiquity, the basin is hollowed to a size sufficiently large for emersion [sic]. The Font is nearly square, the upper portion being rather larger than the lower, and the sides are ornamented with the plain semicircular arches of the Norman architecture." Lewis' Dictionary of 1848 reports simply "an ancient Norman font" in this church. Referred to in Hone (1827) as an "old Norman font". Described in Glynne (1877): "The font is early, of square form, and of black marble, moulded with plain circular arches. The pedestal is modern." Described in Cox & Harvey (1907) as a baptismal font of the Norman period made of black marble. In Newman (1980): "Font. Norman, on a modern base that does not fit. Square marble bowl, with four shallow sunk arches per side."

MEDIUM AND MEASUREMENTS

Material: stone, marble (black)
Font Shape: square (mounted)
Basin Interior Shape: round
Basin Exterior Shape: square

REFERENCES

Victoria County History [online], University of London, 1993-. Accessed: 2006-08-21 00:00:00. URL: https://www.british-history.ac.uk.
Assunção, Fernando, Etopeya y tragedia de Manuel Lobo: biografía del fundador de Colonia del Sacramento (1635-1683), Montevideo: Linardi y Risso, 2003
Cox, John Charles, English Church Furniture, New York: E.P. Dutton & Co., 1907
Glynne, Steven Richard, Sir, Notes on the churches of Kent, London: John Murray, 1877
Hone, William, The table book: cuttings with cuts, facts, fancies [...], London: Published for William Hone by Hunt and Clarke, York Street, Covent Garden, 1827
Newman, John, West Kent and the Weald, Harmondsworth: Penguin Books, 1980
Storer, James Sargant, The Antiquarian and Topographical cabinet; containing a series of elegant views of the most interesting objects of curiosity in Great Britain, London: Published for the proprietors by W. Clarke, 1807-1811