London No. 8 / Barking / Berkyngechirche by the Tower

Image copyright © Peter Fairweather, 2002

Standing permission

Results: 7 records

LID01: animal - bird - dove

Scene Description: minus olive branch

Copyright Statement: Image copyright © Peter Fairweather, 2002

Image Source: Peter Fairweather, Lincoln

Copyright Instructions: Standing permission

LID02: design element - motifs - foliage

Copyright Statement: Image copyright © Peter Fairweather, 2002

Image Source: Peter Fairweather, Lincoln

Copyright Instructions: Standing permission

LID03: design element - motifs - floral

Copyright Statement: Image copyright © Peter Fairweather, 2002

Image Source: Peter Fairweather, Lincoln

Copyright Instructions: Standing permission

LID04: symbol - wheat-ear

Copyright Statement: Image copyright © Peter Fairweather, 2002

Image Source: Peter Fairweather, Lincoln

Copyright Instructions: Standing permission

LID05: symbol - fir cone

Copyright Statement: Image copyright © Peter Fairweather, 2002

Image Source: Peter Fairweather, Lincoln

Copyright Instructions: Standing permission

LID06: angel - cherub

Scene Description: several

Copyright Statement: Image copyright © Peter Fairweather, 2002

Image Source: Peter Fairweather, Lincoln

Copyright Instructions: Standing permission

view of font and cover

Copyright Statement: Image copyright © Peter Fairweather, 2002

Image Source: Peter Fairweather, Lincoln

Copyright Instructions: Standing permission

INFORMATION

FontID: 05458LON
Church/Chapel: Church of All Hallows by the Tower
Church Patron Saints: All Saints
Country Name: England
Location: Greater London, South East
Directions to Site: Located near St. Dunstan's in the East
Font Location in Church: Inside the church, in the SW baptistry
Century and Period: Modern, Modern
Workshop/Group/Artisan: font by a Sicilian prisoner-of-war [WWII]; cover by Grinling Gibbons
Credit and Acknowledgements: Our gratitude to Peter Fairweather of Lincoln for the images of the font and the cover.
Allen (1839?) writes: "The font is situated in the south aisle of the chancel; it is a shallow circular basin of capacious dimensions sustained on a a pillar, the whole being composed of a beautiful and curious sort of mottled marble. The cover is exceedingly handsome; it is carved with statues of boys and fruit in a bold style of sculpture; it is more ancient than the font". Both font and cover appear in an illustration in Crosley (1941). Described in Blatch (1995) as "a new font made of Gibraltar limestone by a Sicilian prisoner-of-war with the Grinling Gibbons cover (for which Gibbons was paid £12). The cover has cherubs, dove minus olive branch, leaves, flowers, wheat-ears, fir-cones etc. During restoration, it was found to have been made from more than 100 carved pieces, fixed in place by steel pins and glue. It dates from 1682." Blatch (ibid., p. 7 and ill. on p. 5) mentions also an octagonal footless font formerly at this church, in which William Penn was baptised, that is now at Christ Church, Philadelphia, in the United States [cf. Index entry for London No. 9]. The Hidden London site [www.hiddenlondon.com] notes that the font in which Penn was baptised is actually a wooden font. [Our gratitude to Peter Fairweather of Lincoln for the images of the font and the cover]

MEDIUM AND MEASUREMENTS

Material: stone, limestone
Font Shape: hemispheric (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round

LID INFORMATION

Date: ca. 1682
Material: wood, steel and glue,
Notes: [cf. FontNotes]

REFERENCES

Allen, Thomas, The History and Antiquities of London, Wsetminster, Southwark, and parts adjacent, London: published by George Virtue, 26 Ivy Lane, Paternoster Row, [1839?]
Blatch, Mervyn, Guide to London's churches (2. ed.), London: Constable, 1995
Crossley, Frederick Herbert, English Church Craftsmanship: an Introduction to the Work of the Mediaval Period and Some Account of Later Developments, London: B.T. Batsford, 1941