Botley / Botelie / Boteleigh / Boteligh / Bottele

Main image for Botley / Botelie / Boteleigh / Boteligh / Bottele

Image copyright © Basher Eyre, 2011

CC-BY-SA-2.0

Results: 9 records

view of font and cover

Scene Description: photographed in 2011
Copyright Statement: Image copyright © Basher Eyre, 2011
Image Source: digital photograph taken 2 May 2011 by Basher Eyre [www.geograph.org.uk/photo/2389684] [accessed 31 August 2011]
Copyright Instructions: CC-BY-SA-2.0

view of font and cover

Scene Description: photographed ca. 1908
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a B&W photograph in Bond (1908)
Copyright Instructions: PD

design element - motifs - roll moulding

Scene Description: at the upper rim
Copyright Statement: Image copyright © Basher Eyre, 2011
Image Source: detail of a digital photograph taken 2 May 2011 by Basher Eyre [www.geograph.org.uk/photo/2389553] [accessed 31 August 2011]
Copyright Instructions: CC-BY-SA-2.0

design element - motifs - rope moulding

Scene Description: just below the rim moulding
Copyright Statement: Image copyright © Basher Eyre, 2011
Image Source: detail of a digital photograph taken 2 May 2011 by Basher Eyre [www.geograph.org.uk/photo/2389553] [accessed 31 August 2011]
Copyright Instructions: CC-BY-SA-2.0

design element - architectural - arcade - blind - round arches

Scene Description: all around the basin side, very crudely done, some of the arches intersected
Copyright Statement: Image copyright © Basher Eyre, 2011
Image Source: detail of a digital photograph taken 2 May 2011 by Basher Eyre [www.geograph.org.uk/photo/2389553] [accessed 31 August 2011]
Copyright Instructions: CC-BY-SA-2.0

design element - motifs - herringbone or chevron

Scene Description: vertical bands connecting top and bottom
Copyright Statement: Image copyright © Basher Eyre, 2011
Image Source: detail of a digital photograph taken 2 May 2011 by Basher Eyre [www.geograph.org.uk/photo/2389553] [accessed 31 August 2011]
Copyright Instructions: CC-BY-SA-2.0

design element - motifs - herringbone or chevron

Scene Description: around the lower side of the basin
Copyright Statement: Image copyright © Basher Eyre, 2011
Image Source: detail of a digital photograph taken 2 May 2011 by Basher Eyre [www.geograph.org.uk/photo/2389553] [accessed 31 August 2011]
Copyright Instructions: CC-BY-SA-2.0

view of church exterior - south view

Scene Description: Source caption: "All Saints, Botley. Grade 2 listed building erected in 1836."
Copyright Statement: Image copyright © Michael Ford, 2009
Image Source: digital photograph taken in 2004 by Michael Ford [www.geograph.org.uk/photo/1510531] [accessed 25 July 2018]
Copyright Instructions: CC-BY-SA-2.0

view of church interior - nave - looking west

Scene Description: the font at the west end
Copyright Statement: Image copyright © Basher Eyre, 2011
Image Source: digital photograph taken 2 May 2011 by Basher Eyre [www.geograph.org.uk/photo/2389553] [accessed 31 August 2011]
Copyright Instructions: CC-BY-SA-2.0

INFORMATION

Font ID: 05142BOT
Object Type: Baptismal Font1
Font Century and Period/Style: 12th century [re-cut?], Norman [altered?]
Cognate Fonts: [cf. FontNotes]
Church / Chapel Name: Parish Church of All Saints (the new church) [orig. from the old church]
Font Location in Church: Inside the church
Church Patron Saint(s): All Saints [the pre-Conquest church was dedicated to St. Bartholomew]
Church Address: High Street, Botley, Hampshire SO30 2EA, UK
Site Location: Hampshire, South East, England, United Kingdom
Directions to Site: Located off (NNE) the A334-B3354 crossroads, 10 km E of Southampton
Ecclesiastic Region: Diocese of Portsmouth [formerly Winchester]
Historical Region: Hundred of Mainsbridge -- Hundred of Mansbridge [in Domesday]
Additional Comments: recycled font / abandoned font [cf. FontNotes for details] -- re-cut to give it a 'modern' look? -- disappeared font? (the one from the Domesday-time church here)
Font Notes:
There is an entry for Botley [variant spelling] in the Domesday survey [http://opendomesday.org/place/SU5113/botley/] [accessed 24 July 2018]; it reports a church in it. The National Gazetteer of 1868 reports "a curious old font" in All Saints' Botley. White (1878) reports a remarkably fine font in this church. Listed in Cox & Harvey (1907) as a baptismal font of the Norman period. Described and illustrated in Bond (1908) as a baptismal font the crude [Bond actually uses the adjective "barbarous"] work of which tends to suggest an earlier dating than it should; Bond (ibid.) indicates that "the interlacing arcading is not likely to be earlier than that in the work of Priors Ernulph and Conrad of Canterbury (A.D. 1096-1130)"; rather, Bond continues, "it is safer to assume that the archaic look is due to the clumsiness of a twelfth century village mason, rather than it was the best that could be done in the eleventh century." Bond's illustration shows a cylindrical basin with a roll moulding at the rim and a rope moulding just below it; the bottom of the basin sides has herringbone motif and so do the vertical bands that connect top and bottom; in between, a blind arcade of round arches; the prismatic underbowl and base are plain and very irregular, and the whole base looks as if it had been recarved from a tall cylinder by a very unskilled mason, probably at a time when chalice-shaped fonts on polygonal bases where more fashionable. The Victoria County History (Hampshire, vol. 3, 1908) notes: "The church of Botley, with the manor, belonged to Ralf de Mortimer at the time of the Domesday Survey [1086]. […] Of the old church of All Saints only the chancel is now left standing. […] The church now in use, in the main street of the village, was built in 1836 […] The font, which is said to have been dug up on the river bank, is a roughly-shaped round bowl, its base cut back to a hexagonal shape at some later time. Its ornament is equally rough, and though doubtless of twelfth-century date, is probably not quite so early as it looks. A band of cable moulding runs round the top of the bowl, and a band of lozenge ornament lower down, the space between being divided into panels by vertical lines of lozenge or cable moulding, in which are round arched arcades—in one case of three interlacing arches, and in the others of two arches side by side." The site [freepages.genealogy.rootsweb.com/~villages/botley.htm] informs that the font "has been through unknown adventures, for it was found in the river" [NB: there is no reference as to when these 'adventures' took place but one should assume that they took place before Bond's time, i.e., prior to 1908. Buck (1951) mentions the 'cut away' feature of the Botley font in the context of his entry for the font at Great Durnford, Wilts. The Botley site [http://mti.botley.com/index.php?option=com_content&task=view&id=40&Itemid=58] notes: "It was apparently dug up near Fairthorne Manor in about 1740."

COORDINATES

UTM: 30U 621353 5641708
Latitude & Longitude (Decimal): 50.91425, -1.2737
Latitude & Longitude (DMS): 50° 54′ 51.3″ N, 1° 16′ 25.32″ W

MEDIUM AND MEASUREMENTS

Material: stone
Number of Pieces: one
Font Shape: cylindrical, mounted
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: lead-lined

LID INFORMATION

Date: modern
Material: wood, oak?
Apparatus: no
Notes: flat and round, with metal decoration and ring handle; probably Victorian

REFERENCES

  • The National Gazetteer: a Topographical Dictionary of the British Isles, London: Virtue & Co., 1868
  • Victoria County History [online], University of London, 1993-. URL: https://www.british-history.ac.uk.
  • Bond, Francis, Fonts and Font Covers, London: Waterstone, 1985 c1908, p. 139, 147-149 and ill. on p. 140
  • Buck, A.G. Randle, "Some Wiltshire fonts. Part II", LIV, CXCIV (June 1951), The Wiltshire Archaeological and Natural History Magazine, 1951, pp. 19-35; p. 20
  • Cox, John Charles, English Church Furniture, New York: E.P. Dutton & Co., 1907, p. 200
  • White, William, History, gazetteer and directory of the County of Hampshire including the Isle of Wight, and [...], Sheffield: William White, 1878, p. 155