New Shoreham / Shoreham / Shoreham-by-Sea / Soreham / Soresham

Image copyright © Janice Tostevin, 2010
Standing permission
Results: 18 records
design element - architectural - arcade - blind - round arches - columns with spiral patterns ornamentation - columns with capitals and bases
design element - motifs - floral or foliage
design element - motifs - floral or foliage - 4
design element - motifs - floral or foliage - 4
design element - motifs - floral or foliage - inscribed
design element - motifs - moulding
symbol - cross - Greek - Maltese - 4 - in a circle - linked circles
symbol - sun - multi-rayed - in a triangle - 9
view of base - detail
view of church exterior - southeast view
view of font
view of font

Scene Description: showing the north and south sides. Notice the damage on the upper rim between the secong and third circled cross, later repaired. The square plinth had already replaced the round one visible in Paley's drawing of ca. 1844
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a B&W photograph in Tyrrell-Green (1928: fig. 45)
Copyright Instructions: PD
view of font - east side
view of font - north side
view of font - south side
view of font - west side
view of font and cover
INFORMATION
FontID: 03430SHO
Church/Chapel: Parish Church of St. Mary de Haura ["St Mary of the Harbour"]
Church Patron Saints: St. Mary the Virgin
Church Location: Church St, Shoreham-by-Sea, West Sussex BN43 5DQ, UK
Country Name: England
Location: West Sussex, South East
Directions to Site: Located in Shoreham-by-Sea, just off the A27, between Brighton and Worthing,
8-10 km W of Brighton
Ecclesiastic Region: Diocese of Chichester
Historical Region: Hundred of Fishersgate -- Rape of Bramber -- Sussex
Font Location in Church: Inside the church, at the W end of the chancel [formerly in the N transept]
Date: 1145-1190?
Century and Period: 12th century [re-tooled?], Late Norman? / Transitional? [altered]
Credit and Acknowledgements: We are grateful to Paul Zwierzanski, of www.yeoldesussexpages.co.uk, and to Janice Tostevin, for their photographs of this font.
Font Notes: Click to view font notes
There are two entries for Shoreham [variant spellings] in the Domesday survey [https://opendomesday.org/place/TQ2105/shoreham/[ [accessed 9 March 2023], one of which reports a church in it. Described and illustrated (engraving by Orlando Jewitt) in Paley (1844): square mounted font of the Norman period with a central broad base and four detached corner shafts. Paley (ibid.) shows a square basin with a round well; the basin sides "are sculptured in arcades, with twisted shafts, crosses within circles, zigzags, foliage, &c, in very low relief, and rudely executed, as is also the foliage of the capitals." Paley (ibid.) also informs that the font had "been very lately restored under the direction of Mr. Ferrey, and placed on a square plinth at the west end of the chancel; formerly it stood in the north transept on a circular step". Described in Cox & Harvey (1907) as one of the most interesting of the twenty-nine Norman fonts in this county that have square bowls. In Walker (1908). Harrison (1920) writes: "The font (sq[uare] Nor[man]), of Sussex marble, is a splendid specimen." Described and illustrated in Tyrrell-Green (1928). In Drummond-Roberts (1935). The Victoria County History (Sussex, vol. 6, pt. 1, 1980) notes: "The church of St. Mary De Haura, [...] New Shoreham, had that name c. 1096. [...] The surviving building is the eastern end of a large cruciform church [...that] probably began in the late 11th century at the eastern end. [...] The font is of the late 12th century, and incised marks of perhaps the same period on the columns of the arcades are thought to be masons' marks, Templars' crosses, and crusaders' crosses." Described in Whiteman (1994) as a fine Norman font made of Sussex marble. There are four different motifs on the sides: on the East side: blind arcade of seven round arches on torsade columns with capitals and bases (one of the columns appears re-carved); South side: four Maltese crosses inscribed in circles that are linked to each other; West side: two large semi-circles inscribing what appears to be floral motifs, with floral or foliage motifs in the spandrels; North side: nine triangles pointing up and down alternately inscribing rayed-sun like motifs; the spandrels of the upper surface of the basin are decorated with floral or foliage motifs, in the tradition of some Tournai fonts. The wooden cover is probably 19th-century, round, flat and with metal decorations; the four outer supports of the base, and the second level of the lower base were probably replaced when the font was restored in the 19th century. A later restoration must have taken place after 1928, as there is damage that appears on the south side of the basin, between the second and third crosses, on Tyrrell-Green's photograph. Described and illustrated in the CRSBI (2008), which identifies the stone of the basin as "Purbeck marble (ie: smaller snails than Sussex marble)", but that of the five colonnettes of the base "which appear to have been renewed in Sussex (rather than Purbeck) marble." The English Heritage, National Monuments Record entry for this church [www.pastscape.org.uk/hob.aspx?hob_id=398767#aRt] [accessed 23 October 2012] dates the font to ca. 1180.
COORDINATES
Church Latitude & Longitude Decimal:
50.83267,
-0.274626
Church Latitude & Longitude DMS:
50° 49′ 57.61″ N,
0° 16′ 28.66″ W
UTM: 30U 691911 5634757
MEDIUM AND MEASUREMENTS
Material:
stone, marble (Sussex / Purbeck marble)
Font Shape: square (mounted)
Basin Interior Shape: round
Basin Exterior Shape: square
Drainage Notes: no lining
Rim Thickness: 8 cm*
Diameter (inside rim): 68.75 cm*
Basin Depth: 25 cm*
Basin Total Height: 20.5 cm**
Font Height (less Plinth): 66.25 cm* / 80 cm**
Font Height (with Plinth): 96 cm**
Trapezoidal Basin: 85 x 85 cm*
Notes on Measurements: * Paley (1844: unpaged) / ** CRSBI (2008)
LID INFORMATION
Date: modern
Material:
wood,
Apparatus: no
Notes: [cf. FontNotes]
REFERENCES
Victoria County History [online], University of London, 1993-. Accessed: 2012-10-23 00:00:00. URL: https://www.british-history.ac.uk.
Corpus of Romanesque Sculpture in Britain and Ireland, The Corpus of Romanesque Sculpture in Britain and Ireland, The Corpus of Romanesque Sculpture in Britain and Ireland. Accessed: 2012-10-23 00:00:00. URL: http://www.crsbi.ac.uk.
Cox, John Charles, English Church Furniture, New York: E.P. Dutton & Co., 1907
Drummond-Roberts, Maud F., Some Sussex fonts, photographed and described, Brighton: Southern Publishing Co., 1935
Harrison, Frederick, Notes on Sussex churches, Hove: Combridges, 1920
Paley, Frederick Apthorp, Illustrations of Baptismal Fonts, London, UK: John van Voorst, 1844
Tyrrell-Green, E., Baptismal Fonts Classified and Illustrated, London: Society for Promoting Christian Knowledge: The Macmillan Co., 1928
Walker, A.K., An introduction to the study of English fonts, with details of those in Sussex, 1908
Whiteman, Ken, Ancient Churches of Suffolk, Seaford, East Sussex: S.B. Publications, 1998