Verdun-sur-Garonne

Image copyright © Baptisteria Sacra Index, 2023
Results: 12 records
design element - motifs - floral - fleur-de-lis
design element - motifs - floral - fleur-de-lis
design element - motifs - floral - lily
design element - motifs - moulding - graded
design element - motifs - rope moulding - parallel - 4
view of church exterior - northwest view
Copyright Statement: Image copyright © Didier Descouens, 2013
Image Source: digital photograph taken 3 November 2013 by Didier Descouens [http://commons.wikimedia.org/wiki/File:Église_de_l'Assomption-et-de-Saint-Michel_de_Verdun-sur-Garonne.jpg] [accessed 2 January 2014]
Copyright Instructions: CC-BY-SA-3.0
view of church exterior - west tower
view of church exterior - west tower - sundial
view of church interior - baptistery and font
Scene Description: the modern font and cover
Copyright Statement: Image copyright © Didier Descouens, 2013
Image Source: digital photograph taken 3 November 2013 by Didier Descouens [http://commons.wikimedia.org/wiki/File:Verdun-sur-Garonne_-_St_Michel_-_Fonts_actuels.jpg] [accessed 2 January 2014]
Copyright Instructions: CC-BY-SA-3.0
view of church interior - nave - looking east
Scene Description: the south aisle is also visible here, both adorned with the paintings by Jean-Baptiste Chevalt
Copyright Statement: Image copyright © Didier Descouens, 2013
Image Source: digital photograph taken 3 November 2013 by Didier Descouens [http://commons.wikimedia.org/wiki/File:Église_de_l'Assomption-et-de-Saint-Michel_de_Verdun-sur-Garonne_Les_deux_nefs.jpg] [accessed 2 January 2014]
Copyright Instructions: CC-BY-SA-3.0
view of font
view of font and canopy, baldachin in context
INFORMATION
FontID: 02896VER
Object Type: Baptismal Font1
Church/Chapel: Eglise Saint-Michel-et-de-l'Assomption [aka Eglise de l'Assomption et de Saint-Michel]
Church Patron Saints: St. Michael & The Assumption of St. Mary
Church Location: 82600 Verdun-sur-Garonne, France
Country Name: France
Location: Tarn-et-Garonne, Occitanie
Directions to Site: Located 25 km from Montauban, 40 km NE of Toulouse: take the D902 from Toulouse to Grenade (which has another such font); from Grenade take the D26 to Verdun-s-G, dir. Bourret (which also has another lead font)
Ecclesiastic Region: Diocèse de Montauban
Font Location in Church: Inside the church, by the entranceway
Century and Period: 13th century, Gothic
Workshop/Group/Artisan: lead font
Cognate Fonts: [cf. FontNotes]
Church Notes: church fabric goes back to the early 13thC, though chiefly 16thC now -- listed in Mérimée [ref.: PA00095903].
Font Notes:
Click to view
A number of French metal fonts are mentioned in Germain Bapst's Les métaux dans l'antiquité et au moyen age : l'étain (Paris, 1884: 137): "Les fonts baptismaux furent quelquefois en plomb. Le musée de Cluny en conserve du treizième siècle où existent de petits décors peu intéressants : la forme n'est pas gracieuse. Nous avons trouvé trace de cuves analogues dans deux églises du Midi, à Bouret [i.e., Bourret] et à Verdun-sur-Garonne, et puis successivement à Beaumont-de-Lomagne, à Lombez, à Aulin, toujours dans la même région." Listed by Enlart (1902) among a group of 13th-century lead fonts, but his second reference in the same source lists a lead font in Verdun, dépt. de Tarn-et-Garonne, as 16th cent. Corblet (1881-1882) does not date it but describes it as being divided in three ornamented areas: the top and bottom registers have a row of fleur-de-lis motifs, while the middle one has "une sorte de fleur d'iris qu'encadre sa tige." The entry in the Dictionnaire des églises... (1966- ) describes it simply as a 13th-century lead-font. Lasteyrie (1926-1927) informs that M. le chanoine Pottier had published an article entitled "Les cuves baptismales en plomb au diocèse de Montauban" in the Bull. Soc. archéol., Tarn-et-Garonne, about this font and another one of the same type in Grenade-sur-Garonne [quoted in Lasteyrie (1926-1927). Those fonts are described by Lasteyrie (ibid.) as being narrower than most others of the type and having their sides ornamented with rosettes, fleur de lis, roundels, groups of more or less fantastic animals, all of it distributed over three registers separated by mouldings. The one at Verdun is described as having two handles, "une exception fort rare", which allow it to be easily transported and emptied. On-site notes: the cylindrical basin is ornamented with floral motifs and is now raised on a modern iron tripod base; at 90-degree angles of the basin handles there are marks of some repair or modification, probably related to the hinges for securing the lid (the handles appear to have been added at a later date). There is no visible drain, but there are two plugged holes on the lower sides of the basin (now sealed). The font is displayed inside the church under an ornate canopy. The font in use of this church is modern, with a brass cover, set inside an enclosed area designated as baptistery.
COORDINATES
Church Latitude & Longitude Decimal: 43.854367, 1.235746
Church Latitude & Longitude DMS: 43° 51′ 15.72″ N, 1° 14′ 8.69″ E
UTM: 31T 358206 4857211
MEDIUM AND MEASUREMENTS
Material: metal, lead
Font Shape: cylindrical (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: [cf. Font notes]
Rim Thickness: 2.5-3 cm
Diameter (inside rim): 73-78 cm
Diameter (includes rim): 78-83 cm
Basin Depth: 36 cm
Height of Basin Side: 37 cm
Basin Total Height: 37 cm
Height of Base: 71 cm
Font Height (less Plinth): 108 cm
Notes on Measurements: BSI on-site
REFERENCES
Dictionnaire des églises de France, Belgique, Luxembourg, Suisse, Paris: R. Laffont, 1966-
Bapst, Germain, Les métaux dans l'antiquité et au moyen age : l'étain, Paris: G. Masson, 1884
Corblet, Jules, Histoire dogmatique, liturgique et archéologique du sacrement de baptême, Paris: V. Palme, 1881-1882
Enlart, Camille, Manuel d'archéologie française depuis les temps mérovingiens jusqu'à la Renaissance, Paris: Alphonse Picard & fils, 1902
Lasteyrie du Saillant, Robert Charles, conte de, Architecture réligieuse en France à l'époque gothique (éd. posthume par Marcel Aubert)[2 vols.], Paris: A. Picard, 1926-1927