Angermunde / Angermünde / Angermant

Image copyright © Colin Smith, 2013
Image and permission received (e-mail of 20 July 2013)
Results: 13 records
Apostle or saint? - unidentified
Scene Description: in the arches of the arcade; now badly eroded or erased [cf. FontNotes]
Copyright Statement: Image copyright © Colin Smith, 2013
Image Source: detail of a digital photograph taken 8 June 2013 by Colin Smith
Copyright Instructions: Image and permission received (e-mail of 20 July 2013)
design element - architectural - arcade - round arches - columns with capitals and bases
design element - motifs - floral - fleur-de-lis?
design element - motifs - moulding - parallel
human figure - male - bearded - standing
inscription
view of church exterior - northeast view - detail
view of church exterior - west tower - south side - detail
view of church exterior - west tower - southwest side
view of church interior - nave - looking west
Scene Description: in the foreground are the choir benches; at the west end, the organ and the gallery; on the right [north] side, the pulpit
Copyright Statement: Image copyright © Ralf Roletschek, 2010
Image Source: digital photograph taken 5 March 2010 by Ralf Roletschek
Copyright Instructions: CC-BY-SA-3.0
view of font - northwest side
view of font - south side
INFORMATION
FontID: 02881ANG
Object Type: Baptismal Font1
Church/Chapel: Stadtpfarrkirche Sankt Marien
Church Patron Saints: St. Mary the Virgin
Country Name: Germany
Location: Uckermark, Brandenburg
Directions to Site: Located 80 km NE of Berlin
Font Location in Church: Inside the church, at the east end, in the chancel, south side
Century and Period: 14th century, Gothic
Cognate Fonts: Enlart gives Hildesheim and St-Barthelemy de Liege as analogous
Credit and Acknowledgements: We are grateful to Colin Smith for his photographs of church and font
Font Notes:
Click to view
Lübke (1870) notes a metal font of the 14th century ornamented with blind arcades and figues, and "supported by three figures of men". Enlart (1902) states that this font belongs to the same type as those at Hildesheim and St-Barthelemy de Liege, but it is not clear whether he is referring to the general shape of the font and quality of the work or, simply, to the fact that they are all basins resting on figures (Hildesheim) or animals (St-Barthelemy). The basin is bucket-shaped, the usual in bronze fonts of the period made by bell makers, the surface lightly incised withan inscription around the upper third, and an arcade of round arches that occupies the other two thirds; the arcade has floral motifs in the spandrels, and had figures inside the arches but these figures have been practically erased; the three tsanding figures that hold up the basin are male, bearded, the hair in a short mane; they wear short tunics; the right hand is raised to the chest, while the left hand is lowered to the genitals, the fingers extended. The font does not have a cover proper, but a baptismal basin of the sort common in northern churches, large and flat, with a smaller depression in the centre to hold the water. The upper rim of the font basin, however, has one large anchoring spot for a lid.
COORDINATES
Church Latitude & Longitude Decimal: 53.019289, 14.002819
Church Latitude & Longitude DMS: 53° 1′ 9.44″ N, 14° 0′ 10.15″ E
UTM: 33U 433110 5874881
MEDIUM AND MEASUREMENTS
Material: metal, bronze
Font Shape: bucket-shaped (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round
INSCRIPTION
Inscription Location: around the basin side, upper third
LID INFORMATION
Notes: [cf. FontNotes]
REFERENCES
Enlart, Camille, Manuel d'archéologie française depuis les temps mérovingiens jusqu'à la Renaissance, Paris: Alphonse Picard & fils, 1902
Lübke, Wilhelm, Ecclesiastical in Gemany during the Middle Ages [tranl. by L. A. Wheatley], London: Cassell, Petter, & Galpin, 1870