Atienza No. 2

Image copyright © Juan Antonio Olañeta, 2011

Image and permission received (e-mail of 18 June 2011)

Results: 12 records

B01: design element - patterns - ribbed

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

BBU01: design element - architectural - arch-head - round - beaded-tape

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

BS01: symbol - cross - Greek - Maltese - in a circle

Scene Description: in the spandrels of the arches

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

LB01: design element - motifs - roll moulding

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

LB02: design element - patterns - fluted or piping

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

R01: design element - motifs - diaper

Scene Description: [cf. FontNotes]

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

view of church exterior - apse

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

view of church exterior - apse

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

view of church interior - nave - looking west

Scene Description: the Crucifixion group above the font is known as 'The Christ of the four nails' [="Cristo de los cuatro clavos"] because his two feet are nailed separately to the cross, making thus a total of four nails used in the crucifixion

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

view of font

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

view of font

Copyright Statement: Image copyright © Juan Antonio Olañeta, 2011

Image Source: digital photograph taken 26 March 23011 by Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 18 June 2011)

view of font in context

Copyright Statement: Image copyright © Mikel Unanue, 2011

Image Source: digital photograph taken March 2011 by Mikel Unanue for BSI

Copyright Instructions: Standing permission

INFORMATION

FontID: 02620ATI
Church/Chapel: Iglesia Parroquial de la Santísima Trinidad
Church Patron Saints: The Holy Trinity
Country Name: Spain
Location: Guadalajara, Castilla-La Mancha
Directions to Site: Located off the CM-1001, in the N of the province, near the border with Soria province
Ecclesiastic Region: Diócesis de Sigüenza-Guadalajara
Font Location in Church: Inside the church
Century and Period: 12th - 13th century, Romanesque
Cognate Fonts: Two other Atienza fonts: at San Gil and San Bartolomé; also the font at Zarzuela de Jadraque
Credit and Acknowledgements: We are grateful to Mikel Unanue and Juan Antonio Olañeta for their photographs of church and font
Noted in Perez Arribas as a font similar to the one at San Gil, Atienza. Romanesque baptismal font noted and illustrated in the Enciclopedia del románico en Castilla-La Mancha: Guadalajara (2009) with date in the late-12th or early-13th century, quite similar to the fonts at San Gil and San Bartolomé churches, also in Atienza [cf. Index entries for Atienza]; the font consists of a hemispherical basin decorated with a band of dog-tooth [nail-head] motif around the upper rim, a ribbed pattern framed in a round arcade of round arches with bead-tape arch-heads of double columns, with Maltese crosses in the spandrels; the short truncated cone base has a roll moulding at the top, and fluted pattern all around; the stubs of the metal staples of the font cover are still in the upper rim. The main difference with the San Gil font are the Maltese crosses in the spandrels of the arcade. Noted and illustrated in Herrera Casado (2014).

COORDINATES

UTM: 30T 4560783 511296

MEDIUM AND MEASUREMENTS

Material: stone, type unknown
Font Shape: hemispherical (mounted) -- chalice-shaped
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: no lining

LID INFORMATION

Notes: [cf. FontNotes]

REFERENCES

Fundación Santa María la Real, Enciclopedia del románico en Castilla-La Mancha: Guadalajara, Aguilar de Campoo: Fundación Santa María la Real, Centro de Estudios del Románico, 2009
Herrera Casado, Antonio, Iconografía románica en Guadalajara, Guadalajara: Aache, 2014
Pérez Arribas, Andrés, "Las estrellas de mar, ornamentación usual en el románico de Guadalajara", [s.d.], pp. 225-253; r["References"]
Ruiz Montejo, Inés, Herencia del románico en Guadalajara, Ciudad Real: Servicio de Publicaciones, Junta de Comunidades de Castilla-La Mancha, 1992