Nassington / Nassintone

Standing permission

Results: 15 records

design element - architectural - arcade - blind - pointed arches - double arcade (one-up-one-down)

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

design element - motifs - leaf

Source caption: "The font rests on an octagonal pedestal with a curiously artless motif. It’s an apology for a design really and I can’t help wondering if it was some bodge-up from more recent times" -- large, oak?, on several sides of the stem of the base

Scene Description: Source caption: "The font rests on an octagonal pedestal with a curiously artless motif. It’s an apology for a design really and I can’t help wondering if it was some bodge-up from more recent times" -- large, oak?, on several sides of the stem of the base

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of church exterior - southeast view

Scene Description: Source caption: "St Mary's church, Nassington. Built between the [e]leventh and seventeenth centuries"

Image Source: digital photograph 16 April 2023 by Jonathan Thacker [https://www.geograph.org.uk/photo/7462549] [accessed 16 February 2025]

Copyright Instructions: CC-BY-SA-2.5

view of church interior - cross - shaft

Source caption: "Saxon cross shaft. Fragment of a 10th century cross depicting Christ on the cross with a spear and reed, the feet above would have continued with a respresentation of The Ascension. When complete, the cross has been estimated to have stood 10 feet high. It was discovered during restoration work in the 1880s."

Scene Description: Source caption: "Saxon cross shaft. Fragment of a 10th century cross depicting Christ on the cross with a spear and reed, the feet above would have continued with a respresentation of The Ascension. When complete, the cross has been estimated to have stood 10 feet high. It was discovered during restoration work in the 1880s."

Image Source: digital photograph 9 August 2011 by Richard Croft [https://www.geograph.org.uk/photo/2573965] [accessed 16 February 2025]

Copyright Instructions: CC-BY-SA-2.5

view of church interior - cross - shaft

Source caption: "The c10 Anglo-Saxon cross shaft. There is a crucifixion scene at the bottom. To the left and right of Christ’s head are the sun and moon. Below the arms are two soldiers armed with lances."

Scene Description: Source caption: "The c10 Anglo-Saxon cross shaft. There is a crucifixion scene at the bottom. To the left and right of Christ’s head are the sun and moon. Below the arms are two soldiers armed with lances."

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of church interior - cross - shaft - detail

Scene Description: Source caption: "To the left of the main face is this vine design."

Image Source: edited detail of a digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of church interior - cross - shaft - detail

Scene Description: Source caption: "The right hand face has this nice interlaced design of Scandinavian pattern."

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of church interior - cross - shaft - detail

Source caption: "This lovely Scandinavian-style interlaced work is in stark contrast to the crudeness of the main crucifixion image."

Scene Description: Source caption: "This lovely Scandinavian-style interlaced work is in stark contrast to the crudeness of the main crucifixion image."

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of church interior - looking west

Source caption: "Looking towards the west end. It is the small triangular-headed block doorway high on the west wall that gives the vital clue to the provenance of this church: it is clearly Anglo-Saxon. This tells you that that the nave walls, now cut by arcades, were the original Anglo-Saxon church. It is hard not to wonder whether the clerestory was “built” at all. Were the windows simply cut into the original Anglo-Saxon walls? In any event, look at the level of that Anglo-Saxon doorway and imagine then the sheer height of that church compared to its original aisle-less breadth!"

Scene Description: Source caption: "Looking towards the west end. It is the small triangular-headed block doorway high on the west wall that gives the vital clue to the provenance of this church: it is clearly Anglo-Saxon. This tells you that that the nave walls, now cut by arcades, were the original Anglo-Saxon church. It is hard not to wonder whether the clerestory was “built” at all. Were the windows simply cut into the original Anglo-Saxon walls? In any event, look at the level of that Anglo-Saxon doorway and imagine then the sheer height of that church compared to its original aisle-less breadth!"

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of church interior - nave - looking east

Source caption: "Looking towards the east end. Note the identical north and south aisle arches and their symmetry with the chancel arch. Right: The chancel. The west window is plain-as-pikestaff Perpendicular style. The tracery was restored in the c19. This part of the church is strangely overlooked by both the Church Guide and by Pevsner but it is clearly in the Perpendicular style throughout and, it has to be admitted, has little of interest."

Scene Description: Source caption: "Looking towards the east end. Note the identical north and south aisle arches and their symmetry with the chancel arch. Right: The chancel. The west window is plain-as-pikestaff Perpendicular style. The tracery was restored in the c19. This part of the church is strangely overlooked by both the Church Guide and by Pevsner but it is clearly in the Perpendicular style throughout and, it has to be admitted, has little of interest."

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of font

Image Source: digital image of an illustration in Bond (1908)

Copyright Instructions: PD

view of font and cover

Scene Description: Source caption: "The octagonal font with its two courses of “arches” is c14."

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

view of font and cover

Image Source: B&W photograph in Mee (1945)

Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

view of font in context

Scene Description: Source caption: "Nassington, St. Mary and All Saints' Church: Bell refurbishment by John Taylor of Peterborough"

Image Source: digital photograph 27 October 2016 by Michael Garlick [https://www.geograph.org.uk/photo/5173066] [accessed 16 February 2025]

Copyright Instructions: CC-BY-SA-2.5

view of font in context - east side

Source caption: "The tower arch is late Norman, dating from the time when the original Anglo-Saxon rubble wall was faced with dressed stone."

Scene Description: Source caption: "The tower arch is late Norman, dating from the time when the original Anglo-Saxon rubble wall was faced with dressed stone."

Image Source: digital photograph by Lionel Wall in Great English Churches [https://greatenglishchurches.co.uk/html/nassington.html] [accessed 16 February 2025]

Copyright Instructions: Standing permission

INFORMATION

FontID: 01763NAS

Object Type: Baptismal Font1

Church/Chapel: Parish Church of St. Mary the Virgin and All Saints

Church Patron Saints: St. Mary the Virgin & All Saints

Church Location: Nassington, Peterborough PE8 6QG, United Kingdom

Country Name: England

Location: Northamptonshire, East Midlands

Directions to Site: Located off (W) the B671, 15 km WSW of Peterborough

Ecclesiastic Region: Diocese of Peterborough

Historical Region: Hundred of Willybrook [in Domesday]

Font Location in Church: Inside the church, in the W end of the nave

Century and Period: 13th - 14th century, Early English? / Decorated?

Credit and Acknowledgements: We are grateful to Lionel Wall, of Great English Churches, for his photographs of this church and font

Church Notes: likely pre-Conquest church here, evidenced by the Domesday entry and the Aglo-Saxon cross shaft inside the church

Font Notes: Click to view

There is an entry for Nassington [variant spelling] in the Domesday survey [https://opendomesday.org/place/TL0696/nassington/] [accessed 16 February 2025]; it reports a priest in it. Described and illustrated in Bond (1908) as a marble baptismal font of the thirteenth century. Cox-Harvey (1907) have it as being of the Decorated period. described in Mee (1945): "13th century font with ivy leaves on the stem, rosettes on the base, and the staples with which it was locked [...]" In Pevsner & Cherry (1973): "Octagonal, early C14, with two tiers of small, flat arch-heads." Raised on an octagonal pedestal with a large leaf motif incised in each side.

COORDINATES

Church Latitude & Longitude Decimal: 52.553, -0.433189

Church Latitude & Longitude DMS: 52° 33′ 10.8″ N, 0° 25′ 59.48″ W

UTM: 30U 674018 5825643

MEDIUM AND MEASUREMENTS

Material: stone, marble

Number of Pieces: two

Font Shape: octagonal (mounted)

Basin Interior Shape: round

Basin Exterior Shape: octagonal

LID INFORMATION

Date: modern?

Material: wood

Apparatus: no

Notes: octagonal and flat, with some carvings on the upper surface, metal decorations and ring handle

REFERENCES

Bond, Francis, Fonts and Font Covers, London: Waterstone, 1985 c1908

Cox, John Charles, English Church Furniture, New York: E.P. Dutton & Co., 1907

Mee, Arthur, The King's England: Northamptonshire, country of spires and stately homes, London: Hodder & Stoughton, 1945

Pevsner, Nikolaus, Northamptonshire, Harmondsworth: Penguin Books, 1973