Greens Norton / Green's Norton

Image copyright © Mee, 1945

PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

Results: 6 records

B01: design element - patterns - diaper - beaded-tape

Scene Description: the reticular pattern contains a large flower in each frame

Copyright Statement: Image copyright © [in the public domain]

Image Source: engraving in Simpson (1828: 11)

Copyright Instructions: PD

B02: design element - motifs - floral - flower

Scene Description: a large one in each romboid

Copyright Statement: Image copyright © [in the public domain]

Image Source: engraving in Simpson (1828: 11)

Copyright Instructions: PD

BBL01: design element - patterns - festoon - rounded

Scene Description: all around the lower basin border

Copyright Statement: Image copyright © [in the public domain]

Image Source: engraving in Simpson (1828: 11)

Copyright Instructions: PD

BBU01: design element - patterns - sawtooth

Scene Description: all around the upper rim side

Copyright Statement: Image copyright © [in the public domain]

Image Source: engraving in Simpson (1828: 11)

Copyright Instructions: PD

view of font

Copyright Statement: Image copyright © [in the public domain]

Image Source: engraving in Simpson (1828: 11)

Copyright Instructions: PD

view of font

Scene Description: note the new base added after Simpson's time

Copyright Statement: Image copyright © Mee, 1945

Image Source: B&W photograph in Mee (1945)

Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

INFORMATION

FontID: 01725GRE
Church/Chapel: Parich church of St. Bartholomew
Church Patron Saints: St. Bartholomew
Church Location: Chantry House, 6A Towcester Rd, Greens Norton, Towcester NN12 8BL, United Kingdom
Country Name: England
Location: Northamptonshire, East Midlands
Directions to Site: Located just NW of Towcester, about 16 km SSW of Northampton
Font Location in Church: East end of the south aisle [ca. 1828], probably not the original location
Date: ca. 1140-1150?
Century and Period: 12th century (mid?), Norman
Workshop/Group/Artisan: Workshop from St Peter's, Northampton
Cognate Fonts: Although the ornamental motifs differ, it is of the same general characteristics as the font at nearby Paulerspury, Mears Ashby and Harpole
Simpson (1828) writes that "there is, most probably, no great difference between the date of this and the Pauler's Pury [Paulerspury] Font"; he reports it "very much choked by whitewash" and comments that the situation of the font at that time [ca. 1828] "at the east end of the south aisle against the wall", could not have been the original placement because there is a piscina close to it, "consequently before the Reformation there must have been an altar where the Font now stands." The basin shows considerable damage to its lower part on Simpson's engraving [cf. Images area]. Described in Cox-Harvey (1907) as a handsomely ornamented cylindrical bowl font of the Norman period. The sides of the quasi-cylindrical basin are ornamented with a pattern of romboid frames of beaded-tape, each filled with a large flower; the upper rim side has saw-tooth all around while the lower side has a rounded festoon also all around. The basin stood on a two-step quadrangular base. By Mee's time (1945) the cylindrical basin had been given a graded underbowl and mounted on a plain cylindrical pedestal base and a polygonal plinth. A cover of sorts, flat and round, appears on it. Maguire (1970) suggests that this font, like the ones at Mears Ashby and Harpole, could be attributed to the workshop responsible for the decoration of the west portal at Northampton St Peter's. Maguire (ibid.) further notes that "the four and eight-petalled flowers on the fonts at Green's Norton and Dodford [...] are very similar to those on a capital of S. Savino at Piacenza [...] Similar flowers feature in the decoration of the church of S. Michele at Pavia." In Pevsner & Cherry (1973): "Circular, Norman, decorated with beaded lozenges filled with flowers." The Corpus of Romanesque Sculpture in Britain and Ireland [www.crsbi.ac.uk/ed/nh/harpo/] notes this as a font "of the lively workshop from St Peter's, Northampton, active in the 1140s and '50s. Other fonts by these sculptors are found in the county at Green's Norton, Paulerspury, Dodford, Tiffield and Weedon Lois, and nearby at Maids' Moreton (Bucks)."

COORDINATES

Church Latitude & Longitude Decimal: 52.1437, -1.02263
Church Latitude & Longitude DMS: 52° 8′ 37.32″ N, 1° 1′ 21.47″ W
UTM: 30U 635306 5778865

MEDIUM AND MEASUREMENTS

Material: stone, type unknown
Font Shape: cylindrical (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round
Rim Thickness: 10 cm [calculated]
Diameter (inside rim): 57.5 cm
Diameter (includes rim): 67.5 cm
Basin Total Height: 47.5 cm
Font Height (less Plinth): 90 cm
Notes on Measurements: Simpson (1828: 11)

REFERENCES

Corpus of Romanesque Sculpture in Britain and Ireland, The Corpus of Romanesque Sculpture in Britain and Ireland, The Corpus of Romanesque Sculpture in Britain and Ireland. Accessed: 2006-10-23 00:00:00. URL: http://www.crsbi.ac.uk.
Cox, John Charles, English Church Furniture, New York: E.P. Dutton & Co., 1907
Maguire, Henry P., "A twelfth century workshop in Northampton", 9, 1 (1970), Gesta, 1970, pp. 11-25; r["References"]
Mee, Arthur, The King's England: Northamptonshire, country of spires and stately homes, London: Hodder & Stoughton, 1945
Moule, Thomas, The English counties delineated; or, A topographical description of England [...], London: George Virtue, 1837 [vol. 2]
Pevsner, Nikolaus, Northamptonshire, Harmondsworth: Penguin Books, 1973
Simpson, Francis, A series of ancient baptismal fonts: chronologically arranged, drwan by F. Simpson, Jun., engraved by R. Roberts, London: Septimus Prowett, 1828
Zarnecki, George, Later English Romanesque sculpture, 1953