Zedelghem / Zedelgem

Image copyright © Paula Guillot, 2015
Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
Results: 29 records
B01: Apostle or saint - St. Nicholas - story of the Devil desguised as a woman on a ship of pilgrims
Scene Description: on the east side of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
B01: Apostle or saint - St. Nicholas - story of the innkeeper of Myra - detail
B01: Apostle or saint - St. Nicholas - story of the innkeeper of Myra - detail
B01: Apostle or saint - St. Nicholas - story of the innkeeper of Myra - detail
B02: Apostle or saint - St. Nicholas - story of the innkeeper of Myra
Scene Description: Scene of the poor daughters -- on the north side of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
B03: Apostle or saint - St. Nicholas - story of the innkeeper of Myra
B04: human figure - warrior - lion - fighting
Scene Description: four warriors in full armour with swords and shields fight two large lions -- on the south side of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of an illustration in Ronse (1929: fig. 58)
Copyright Instructions: PD
B04: human figure - warrior - lion - fighting
Scene Description: four warriors in full armour with swords and shields fight two large lions -- on the south side of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
BF01: human figure - male - warrior - in armour - sounding horn
Scene Description: the warrior is blowing the horn towards the hunt/fight scene; long shield covers most of his front; dog at his feet -- on the southeast corner of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
BF02: Apostle or saint - St. Nicholas?
Scene Description: holding a book in his left hand -- on the northeast corner of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
BF03: Apostle or saint - St. Nicholas?
Scene Description: wearing a mitre and holding a bishop's staff in his left hand, the right hand in a benediction pose -- on the northwest corner of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
BF04: Apostle or saint - St. Nicholas?
Scene Description: corner 4: holding a book on his left hand; under a sort of pallium [although the end appears to be a dragon] -- on the southwest corner of the basin [NB: orientation is approximate]
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of an illustration in Ronse (1929: fig. 84)
Copyright Instructions: PD
animal - mammal - lion - head - 8
Scene Description: ornamentation on the lower base: one at each base of the outer columns, plus one at each side between the columns
Copyright Statement: Image copyright © EmDee, 2004
Image Source: digital photograph 18 April 2004 by EmDee [http://commons.wikimedia.org/wiki/File:Zedelgem_-_Fonts_3.JPG] [accessed 2 May 2015]
Copyright Instructions: GFDL / CC-BY-SA-3.0,2.5,2.0,1.0
design element - architectural - arcade - round arches
Scene Description: the north and west sides of the basin have figures and scenes framed in an arcade of round arches; the types of arches and supporting columns have been adapted to the needs of the scene rendered, therefore many arches lack supports, arch-heads are adjusted, etc.
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
design element - architectural - column - torsade - 4
design element - motifs - moulding
Scene Description: forming the bases of the five supporting columns of the base
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
design element - motifs - moulding
design element - motifs - vine - acanthus
Scene Description: in a cricle all around the opening circumference of the upper basin
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
design element - patterns - torsade
human figure - male - grotesque or fantastic - Green Man or woodwoose -foliage motif? - 3
Scene Description: the heads appear humanoid, looking inwards from the thre corners (the fourth corner was inhabited by basilisks but they are now missing)
Copyright Statement: Image copyright © Paula Guillot, 2015
Image Source: detail of a digital photograph taken 4 August 2014 by Paula Guillot
Copyright Instructions: Image and permission received via Mikel Unanue (e-mail of 23 February 2015)
view of base
view of basin - northeast side
view of basin - northwest side
view of basin - southeast side
view of basin - upper view
view of church exterior
view of church exterior - northwest end
view of church exterior - south view
view of font and cover - northeast side
INFORMATION
FontID: 00829ZED
Object Type: Baptismal Font1
Church/Chapel: Eglise Saint-Laurent / Sint-Laurentiuskerk / Saint-Laurentius
Church Patron Saints: St. Lawrence [aka Laurence]
Church Location: Kerkplein, 8210 Zedelgem (Flandre-Occidentale, Belgique)
Country Name: Belgium
Location: West-Vlaanderen / Flandre Ouest, Vlaanderen / Flandres
Directions to Site: Zedelghem is located 9 kms SW of Bruges, in West Flanders; the church is in the town centre
Ecclesiastic Region: Bisdom Brugge / Diocèse de Bruges / Diocese of Bruges (Brugge)
Font Location in Church: Inside the church
Century and Period: 12th century, Romanesque
Workshop/Group/Artisan: Tournai font
Cognate Fonts: Many Tournai fonts but especially the ones with ornamentation on the St. Nicholas' theme.
Credit and Acknowledgements: We are grateful to Paula Guillot for her photographs of this font
Font Notes:
Click to view
Schayes (1839) mentions the font at Termonde, together with the ones at Tirlemont and Zedelgem, as the oldest of this type in Belgium. Putte (1847) discussed the similarities of the font at Zillebeke with those of Saint-Venant, Termonde and Zedelghem, and makes reference to an earlier description of the Zedelghem font in 'Le messager des sciences' of 1824 in which some measurements are given. In Andries (1853). Le Grand de Reulandt (1857), in his article on the font at Lichtervelde (1857) concludes that the font at Lichtervelde is older than those at Termonde and Zedelghem, and dating it to between the late-11th century and the early-12th. Le Grand (ibid.) dates the Termonde font to the first half of the 12th century, and that of Zedelghem to the second half. Noted in De Caumont (1867). In Van de Casteele (1877). Cloquet (1895) describes it as the most similar to the font at Lichtervelde. Enlart (1902) lists it as a Tournai font on a five-support base. Described and illustrated in Lasteyrie (1929), who cites De Caumont [cf. supra] as source. Described and illustrated in Bond (1908). In Ghilsain (1986). Illustrated and studied in detail in Ronse (1929). Illustrated in Rolland (1928?). In Chastel (1966). Described and illustrated in Barral i Altet (1989). Described and illustrated in Drake (2002). The present font is round, flat and plain, hinged in the middle; modern.
COORDINATES
Church Latitude & Longitude Decimal: 51.143218, 3.136106
Church Latitude & Longitude DMS: 51° 8′ 35.59″ N, 3° 8′ 9.98″ E
UTM: 31U 509329 5664661
MEDIUM AND MEASUREMENTS
Material: stone, limestone (black and blue) (Tournai marble)
Font Shape: square (mounted)
Basin Interior Shape: round
Basin Exterior Shape: square
Font Height (less Plinth): 94 cm*
Trapezoidal Basin: 103 x 103 cm* / 102 x 102 cm**
Notes on Measurements: * [cited in Putte (1847) after 'Le messager des sciences' of 1824] -- ** [measurements of the square basin in Ronse (1929: fig. 30) reproduction of C.R.A.A. drawing]
LID INFORMATION
Date: modern
Material: wood
Apparatus: no
Notes: [cf. FontNotes]
REFERENCES
Allen, J. Romilly, "Notes on Early Christian Symbolism", N.S., VI, Proceedings of the Society of Antiquaries of Scotland, 1884, pp. 380-464; p. 424, 425fn1
Barral i Altet, Xavier, Belgique romane, et Grand-Duché de Luxembourg, La Pierre-qui-vire, Yonne: Zodiaque, 1989
Bond, Francis, Fonts and Font Covers, London: Waterstone, 1985 c1908
Caumont, Arcisse de, Abécédaire ou rudiment d'archéologie; architecture religieuse (5e éd.), Caen: F. Le Blanc-Hardel, 1867
Chastel, André, Histoire générale des Églises de France, Belgique, Luxembourg, Suisse, France: Robert Laffont, 1966
Cloquet, Louis, "Fonts de baptême romans de Tournai", 45, Revue de l'art chrétien, 1895, pp. 308-320; p. 310
Cloquet, Louis, "Travaux des sociétés savantes: Comité des travaux historiques", 40, Revue de l'art chrétien, 1890, pp. 415-420; p. 416-417
Davies, J.G., The Architectural Setting of Baptism, London: Barrie and Rockliff, 1962
Drake, Colin Stuart, The Romanesque Fonts of Northern Europe and Scandinavia, Woodbridge, Suffolk: Boydell Press, 2002
Eden, Cecil H., Black Tournai Fonts in England, London: E. Stock, 1909
Enlart, Camille, Manuel d'archéologie française depuis les temps mérovingiens jusqu'à la Renaissance, Paris: Alphonse Picard & fils, 1902
Ghislain, Jean-Claude, "La cuve baptismale romane de Wauthier-Braine", VII, Annales du Cercle historique et folklorique de Braine-le-Château, Tubize et des Régions voisines, 1986, pp. 89-[120]; p. 94, 99
Lasteyrie du Saillant, Robert Charles, conte de, Architecture réligieuse en France à l'époque romane (2e éd., avec une bibliographie critique par Marcel Aubert), Paris: A. Picard, 1929
Le Grand de Reulandt, E., "Tours des églises de Thourout et de Lichtervelde; font baptismaux de cette dernière commune", 31, Messager des sciences historiques et archives des arts de Belgique, 1857, pp. 141-151; p. 141-151
N.S. 4, The Reliquary and Illustrated Archaeologist, pp. 259; p. 259
Putte, F. van de (abbé), Bruges: Imprimé chez Vandecasteele-Werbrouck, 1847
Rolland, Paul, "Les fonts baptismaux tournaisiens: un produit artistique d'exportation aux XIe. et XIIe. siècles", [?], [?], Renaissance de l'art français et des industries de luxe, [1928?], pp. p. [555]-561; p. [555]-561
Ronse, F. T., Les fonts baptismaux de Zedelghem et les fonts romans tournaisiens du XIIe siècle, Bruges: Apostolat liturgique, 1929
Schayes, A.G.B., Gand: L. Hebbelynck, 1839
Sáenz de Ugarte, José Luis, Alava pueblo a pueblo, 1983
Van de Casteele, D., "Fonts baptismaux à Huy, à Seraing et à Esneux", 13, Bulletin de l'Institut archéologique liégeois, 1877, pp. 195-214; p. 201