Neuville-sous-Corbie / La Neuville de Corbie / La Neuville-lès-Corbie

Main image for Neuville-sous-Corbie / La Neuville de Corbie / La Neuville-lès-Corbie

Image copyright © [in the public domain]

PD

Results: 18 records

view of font

Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a lithograph by H. Wagon, in Brutalis (1893-1899)
Copyright Instructions: PD

view of font

Scene Description: top: lithograph by L. Haghe of a drawing by Louis Duthoit (in 'Voyage pittoresque' by Baron Taylor en Picardie) -- bottom: lithograph by Day et Haghe
Copyright Statement: Image copyright © Bibliothèque municipale d'Abbeville, 2008
Image Source: digital image in the Bibliothèque municipale d'Abbeville [www1.arkhenum.fr/bm_abbeville_macqueron/_app/visualisation.php?id=6263] [accessed 8 May 2016]
Copyright Instructions: No known copyright restriction / Fair Dealing

view of font in context

Copyright Statement: Image copyright © Ministère de la Culture (France) - Médiathèque de l'architecture et du patrimoine - diffusion RMN, 2016
Image Source: digital image of a Négatif noir et blanc ; support verre; gélatino-bromure, by Camille Enlart, Charenton-le-Pont, Médiathèque de l'Architecture et du Patrimoine http://www.mediatheque-patrimoine.culture.gouv.fr/] [accessed 8 May 2016]
Copyright Instructions: CC-BY-SA-NC-ND 4.0 = Licence Ouverte / CC-BY-SA-4.0

animal - fabulous animal or monster - winged - 3

Scene Description: top: this side against the wall and not usually seen in photographs
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a lithograph by H. Wagon, in Brutalis (1893-1899)
Copyright Instructions: PD

view of basin - interior - insert

Scene Description: bottom: the lead tank used to hold water inside the stone well [cf. FontNotes]
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a lithograph by H. Wagon, in Brutalis (1893-1899)
Copyright Instructions: PD

view of basin - detail

Scene Description: the three more visible sides of the basin [the fourth side is against the wall]
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a lithograph by H. Wagon, in Brutalis (1893-1899)
Copyright Instructions: PD

design element - motifs - foliage

Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a lithograph by H. Wagon, in Brutalis (1893-1899)
Copyright Instructions: PD

view of basin - interior

Scene Description: top image, showing the centre drain
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of a lithograph by H. Wagon, in Brutalis (1893-1899)
Copyright Instructions: PD

animal - bird - dove - facing each other - drinking from fountain or chalice - 2

Scene Description: seen here at the bottom of the image
Copyright Statement: Image copyright © [in the public domain]
Image Source: digital image of an illustration in Enlart (1895: 39)
Copyright Instructions: PD

design element - motifs - leaf - 4

Scene Description: forming the capitals of the outer colonnettes
Copyright Statement: Image copyright © Ministère de la Culture (France) - Médiathèque de l'architecture et du patrimoine - diffusion RMN, 2016
Image Source: digital image of a Négatif noir et blanc ; support verre; gélatino-bromure, by Camille Enlart, Charenton-le-Pont, Médiathèque de l'Architecture et du Patrimoine http://www.mediatheque-patrimoine.culture.gouv.fr/] [accessed 8 May 2016]
Copyright Instructions: CC-BY-SA-NC-ND 4.0 = Licence Ouverte / CC-BY-SA-4.0

animal - fabulous animal or monster - dragon - intertwined - facing each other - 2

Scene Description: on the left side of the image
Copyright Statement: Image copyright © Ministère de la Culture (France) - Médiathèque de l'architecture et du patrimoine - diffusion RMN, 2016
Image Source: digital image of a Négatif noir et blanc ; support verre; gélatino-bromure, by Camille Enlart, Charenton-le-Pont, Médiathèque de l'Architecture et du Patrimoine http://www.mediatheque-patrimoine.culture.gouv.fr/] [accessed 8 May 2016]
Copyright Instructions: CC-BY-SA-NC-ND 4.0 = Licence Ouverte / CC-BY-SA-4.0

animal - mammal - lion - facing lions - couchant gardant - drinking from a fountain (?) - 2

Scene Description: on right side of the image: the two facing lions are right and left of a T-shaped block which Drake (2002) suggests could be an altar
Copyright Statement: Image copyright © Ministère de la Culture (France) - Médiathèque de l'architecture et du patrimoine - diffusion RMN, 2016
Image Source: digital image of a Négatif noir et blanc ; support verre; gélatino-bromure, by Camille Enlart, Charenton-le-Pont, Médiathèque de l'Architecture et du Patrimoine http://www.mediatheque-patrimoine.culture.gouv.fr/] [accessed 8 May 2016]
Copyright Instructions: CC-BY-SA-NC-ND 4.0 = Licence Ouverte / CC-BY-SA-4.0

view of church exterior - west façade - tympanum

Copyright Statement: Image copyright © [s.n.], 2008
Image Source: digital photograph taken 29 July 2008, in Panoramio [http://panoramio.com/photos/original/20525678.jpg] [accessed 8 May 2016]
Copyright Instructions: No known copyright restriction / Fair Dealing

view of church exterior - northwest view

Copyright Statement: Image copyright © Markus3 (Marc Roussel), 2007
Image Source: digital photograph taken 14 June 2007 by Markus3 (Marc Roussel) [https://commons.wikimedia.org/wiki/File:La_Neuville-sous-Corbie_église_1.jpg] [accessed 8 May 2016]
Copyright Instructions: CC-BY-SA-2.5

view of church exterior - west façade

Copyright Statement: Image copyright © [in the public domain]
Image Source: héliogravure by P. Dujardin in Brutails (1893-1899)
Copyright Instructions: PD

view of church exterior - southwest view

Copyright Statement: Image copyright © [in the public domain]
Image Source: héliogravure by P. Dujardin in Brutails (1893-1899)
Copyright Instructions: PD

design element - motifs - moulding

Scene Description: the only remaining part of the original base; the rest is a modern reconstruction
Copyright Statement: Image copyright © Ministère de la Culture (France) - Médiathèque de l'architecture et du patrimoine - diffusion RMN, 2016
Image Source: digital image of a Négatif noir et blanc ; support verre; gélatino-bromure, by Camille Enlart, Charenton-le-Pont, Médiathèque de l'Architecture et du Patrimoine http://www.mediatheque-patrimoine.culture.gouv.fr/] [accessed 8 May 2016]
Copyright Instructions: CC-BY-SA-NC-ND 4.0 = Licence Ouverte / CC-BY-SA-4.0

view of font and cover in context

Copyright Statement: Image copyright © Josette Houdant, Richesses en Somme, 2012
Image Source: digital photograph by Josette Houdant in Richesses en Somme [www.richesses-en-somme.com/patrimoine-des-églises/fonts-baptismaux/] [accessed 2 January 2013]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

INFORMATION

Font ID: 00820LAN
Object Type: Baptismal Font1
Font Century and Period/Style: 12th century [basin only], Medieval [composite]
Workshop/Group/Artisan: Tournai font
Church / Chapel Name: Église paroissiale Notre-Dame de La Neuville de Corbie
Font Location in Church: Inside the church
Church Patron Saint(s): Our Lady
Church Notes: church listed in Mérimée [ref.: PA00116123]
Church Address: La Neuville-sous-Corbie, 80800 Corbie, France -- Tél. : 03 22 96 95 76
Site Location: Somme, Hauts-de-France, France, Europe
Directions to Site: La Neuville lies just W of Corbie itself; the church is located off the D30, near the Camping Municipal de Corbie (Corbie is about 10 kms E of Amiens on the D1)
Ecclesiastic Region: Diocèse d'Amiens
Historical Region: Amiénois, Picardie
Additional Comments: altered font (only the basin is original; the rest is a reconstruction)
Font Notes:
Malézieux (1873), in an article about the fonts at Berthenicourt and Saint-Germain (nr. Guise) in Aisne, includes a number of fonts of similar date and design at "Vermand, La-Neuvelle-la-Corbie, Vendeuil, Saint-Simon, Marle, Montdidier, Ver", and fragments in the churches of "Etreillers, Ribemont, Fonsomme, Gauchy, Marteville". Described and illustrated in Brutalis (1893-1899), with an interesting reference to the lead holy-water container found in this church, a citation to Corblet's history of the sacrament of baptism in which the use of this type of container is accounted for between the 4th and 9th centuries, and may have been used also in the early Christian catacombs; this source does not claim the antiquity of the Corbie lead tank would go that far back. Noted and illustrated in Enlart (1895). Listed by Cloquet (1895) -after Enlart- in a list of northern French fonts made of blue Tournai marble. Enlart (1902) lists it as Tournai with a five-column base and ornamented with pairs of facing lions; the font is illustrated with a photograph by Enlart in Mémoire [MH0029401] [accessed 2 January 2013]. In Bond (1908), after Enlart. Also in Ruprich-Robert's Architecture normande (1884-1889) and in Lasteyrie (1929), who describes the ornamentation as archaic and mediocre, after him. Described in Oursel (1994) as a Tournai font. the basin sides decorated with pairs of sides: 1)dragons , and 2)two facing lions drinking from the same cup, and 3)two facing birds doing the same from a chalice. The fourth side, which is difficult to access due to its proximity to the wall, has three birds: one has a multi-layer feathered collar, another has a serpent (?) coiled around it. Described and illustrated in Drake (2002) as a Tournai font; Drake identifies the birds as doves. The table-top section is original, but most of the base is a modern replacement [NB: the bases of these Tournai fonts were often made locally and, even when they were made of the same black-blue Tournai limestone, they were left unpolished]. The spandrels and upper surface area of the basin may have been decorated, but the surface appears now damaged. Listed with date in the 12th century in Palissy [ref.: PM80001450]. There are a several more illustrations of this font in the 19th-centuryliterature, some of which are in the collections of the Bibliothèque municipale d'Abbeville, with digital images in their web site [www1.arkhenum.fr]: lithograph by L. Haghe of a drawing by Louis Duthoit (in 'Voyage pittoresque' by Baron Taylor en Picardie); lithograph by Day et Haghe; lithograph by H. Wagon; lithograph by H.W. in 'La Picardie historique et monumentale'; etc. Some of these show a lead-tank removable insert used as a liner for the stone well of the font.

COORDINATES

UTM: 31U 463501 5529104
Latitude & Longitude (Decimal): 49.913204, 2.491625
Latitude & Longitude (DMS): 49° 54′ 47.53″ N, 2° 29′ 29.85″ E

MEDIUM AND MEASUREMENTS

Material: stone, limestone (black and blue) (Tournai marble)
Font Shape: square, mounted
Basin Interior Shape: round
Basin Exterior Shape: square
Drainage System: centre hole in basin
Drainage Notes: a removable lead liner was used at some point
Trapezoidal Basin: 85 x 86 x 87.5 x 86.5 cm*
Notes on Measurements: * 19thC lithograph by H. Wagon, in Brutalis (1893-1899)

LID INFORMATION

Date: unknown
Material: wood
Apparatus: no

REFERENCES

  • Bond, Francis, Fonts and Font Covers, London: Waterstone, 1985 c1908, p. 205
  • Brutails, Jean-Auguste, La Picardie historique et monumentale, Amiens: Société des antiquaires de Picardie. Fondation Edmond Soyez / Imprimerie Yvert et Tellier, 1893-1899, vol. 6: 477-481
  • Cloquet, Louis, "Fonts de baptême romans de Tournai", 45, Revue de l'art chrétien, 1895, pp. 308-320; p. 319
  • Cloquet, Louis, "Travaux des sociétés savantes: Comité des travaux historiques", 40, Revue de l'art chrétien, 1890, pp. 415-420; p. 415
  • Drake, Colin Stuart, The Romanesque Fonts of Northern Europe and Scandinavia, Woodbridge, Suffolk: Boydell Press, 2002, p. 49, 52, 53 and fn113, 177 and pl. 107
  • Eden, Cecil H., Black Tournai Fonts in England, London: E. Stock, 1909, p. 30
  • Enlart, Camille, Manuel d'archéologie française depuis les temps mérovingiens jusqu'à la Renaissance, Paris: Alphonse Picard & fils, 1902, p. 777 footnote 1, p. 779
  • Enlart, Camille, Monuments réligieux de l'architecture romane et de transition dans la région Picarde, Amiens: Yvert et Tellier, 1895, p. 39
  • Lasteyrie du Saillant, Robert Charles, conte de, Architecture réligieuse en France à l'époque romane (2e éd., avec une bibliographie critique par Marcel Aubert), Paris: A. Picard, 1929, p. 704
  • Malézieux, J., "Cuves baptismales de Berthenicourt et de St-Germain", 1er année (1873), Le Vermandois: revue d'histoire locale, beaux-arts et littérature, pp. 81-83; p. 81-83
  • Oursel, Hervé, Nord roman: Flandre, Artois, Picardie, Laonnois, La Pierre-qui-vire, Yonne: Zodiaque, 1994, p. 226, 227