Salle / Sall / Salla / Sawl / Sawle
Image copyright © Baptisteria Sacra Index, 2023
CC-BY-NC-ND-4.0
Results: 57 records
B01: sacrament - eucharist
B02: sacrament - holy orders
B03: sacrament - baptism
B03: sacrament - baptism
B04: sacrament - confirmation
B05: sacrament - penance
B06: sacrament - marriage
B07: sacrament - extreme unction
B08: New Testament - Passion of Christ - Crucifixion
B09: design element - architectural - column - columns with capitals and bases - 8
B10: symbol - cross - Greek - 16
BU01: angel - holding altar stone
BU02: angel - holding chalice
BU03: angel - holding chrism
BU03: angel - holding chrism
BU04: angel - holding mitre
BU05: angel - holding scourge
BU06: angel - holding musical instrument - lyre? type of lute?
BU06: angel - holding musical instrument - lyre? type of lute?
BU07: angel - holding soul rising from a shroud
BU07: angel - holding soul rising from a shroud
BU08: angel - praying
LBF01: Apostle or saint? - 8
Scene Description: now missing; only the lower folds of some of their robes, the small pedestals on which they stood and, in one case, a couchant or protome of an animal [a lion?] remain
Copyright Statement: Image copyright © Janice Tostevin, 2010
Image Source: detail of a digital photograph taken 2 September 2010 by Janice Tostevin for BSI
Copyright Instructions: Standing permission
P01: design element - motifs - tracery
P02: inscription
UB01: design element - motifs - panel - cinquefoiled - 8
UB02: design element - architectural - column - columns with capitals and bases - 8
UBF01: Apostle or saint? - 8
view of font
view of font
view of font and cover
symbol - cross - Greek - 16
design element - architectural - column - clustered columns - with capitals and bases - 8
view of basin
view of basin
view of basin
view of basin
view of basin
view of basin
view of basin
view of church exterior - west portal - angel - censer
view of church exterior - west portal - angel - censer
view of church exterior - west portal
view of church exterior - west portal - detail
view of church exterior - west portal - detail
view of church exterior - west tower
view of church exterior - west tower - detail
view of church exterior in context
Copyright Statement: Image copyright © George Plunkett, 2013
Image Source: digital image of a B&W photograph taken 6 October 1939 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/S/Salle Ss Peter and Paul church south side [3272] 1939-10-06.jpg] [accessed 31 October 2013]
Copyright Instructions: Standing permission by Jonathan Plunkett
view of church interior - nave - looking east
view of font and cover in context
Scene Description: Photo caption: "Seven sacrament font, cover and supporting bracket. 15c."
Copyright Statement: Image copyright © George Plunkett, 2013
Image Source: digital image of a B&W photograph taken 27 July 1950 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/S/Salle Ss Peter and Paul font cover bracket [3936] 1950-07-27.jpg] [accessed 31 October 2013]
Copyright Instructions: Standing permission by Jonathan Plunkett
view of church interior - choir - stalls - detail
Scene Description: Photo caption: "South side of chancel. 15c."
Copyright Statement: Image copyright © George Plunkett, 2013
Image Source: digital image of a B&W photograph taken 27 July 1950 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/S/Salle Ss Peter and Paul chancel misericords [3938] 1950-07-27.jpg] [accessed 31 October 2013]
Copyright Instructions: Standing permission by Jonathan Plunkett
view of church interior - ceiling - detail
Scene Description: N/A
aption: "Seven sacrament font, cover and supporting bracket. 15c."
S CHNCL STLLS B&W photograph taken 27 July 1950 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/S/Salle Ss Peter and Paul chancel misericords [3938] 1950-07-27.jpg] [accessed 31 October 2013] Caption: "South side of chancel. 15c."
Copyright Statement: Image copyright © George Plunkett, 2013
Image Source: digital image of a B&W photograph taken 27 July 1950 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/S/Salle Ss Peter and Paul 15c N transept roof [3939] 1950-07-27.jpg] [accessed 31 October 2013]
Copyright Instructions: Standing permission by Jonathan Plunkett
view of church interior - ceiling - detail
Scene Description: Photo caption: "Central wooden bosses are carved with scenes from the life of Our Lord"
Copyright Statement: Image copyright © George Plunkett, 2013
Image Source: digital image of a B&W photograph taken 27 July 1950 by George Plunkett [www.georgeplunkett.co.uk/Norfolk/S/Salle Ss Peter and Paul chancel roof view W [3941] 1950-07-27.jpg] [accessed 31 October 2013]
Copyright Instructions: Standing permission
view of font and cover
view of font and cover
view of font context
view of font
Copyright Statement: Image copyright © spikeswurda, 2006
Image Source: digital photograph taken 20 August 2006 by spikeswurda; in Flickr [http://www.flickr.com/photos/spixworth/219761349/in/set-72157594533730055/] [accessed 21 October 2007]
Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE
INFORMATION
Font ID: 00762SAL
Object Type: Baptismal Font1
Date Visited: 2000-07-28
Font Date: ca. 1489? / ca. 1437?
Font Century and Period/Style: 15th century, Perpendicular
Workshop/Group/Artisan: Seven-Sacraments font / East Anglia font
Cognate Fonts: Nichols (1994) gives South Creake, Cley and Binham as cognate fonts.
Church / Chapel Name: Parish Church of Saint Peter and Saint Paul
Font Location in Church: Inside the church, just past the tower base into the main nave of the church
Church Patron Saint(s): St. Peter & St. Paul
Church Notes: Hutton (1957) describes this church, a "wool church", as "one of the best in England" and remarks the fine panelled transept roofs "from which those of the House of Lords are said to have been copied."
Church Address: The Street, Salle, Norfolk, NR10 4SE
Site Location: Norfolk, East Anglia, England, United Kingdom
Directions to Site: Located about 20 km WNW of Norwich; easiest access is via the A1067 to Badeswell, connecting there with the B1145 N which is followed till Reepham where e left road leads directly to Salle (also accessible via the B1149 and the A140 at Aylsham; the latter with another good font)
Ecclesiastic Region: Diocese of Norwich
Historical Region: Hundred of Eynesford
Additional Comments: "Salle" is pronounced 'Saul' locally -- damaged font: one of many defaced during the Commonwealth (?) -- disappeared font? (the one from the 13thC(?) church here [cf. FontNotes])
Font Notes:
Click to view
There is no mention of church or cleric in the Domesday entry for "Salla" [http://opendomesday.org/place/TG1124/sall/] [accessed 18 October 2015]. Blomefield (1805-1810) writes: "The church is a stately pile, built chiefly of freestone, in form of a cathedral, consisting of a nave, a north and south isle with 2 cross isles, and a chancel covered with lead, and a lofty, strong, four-square tower at the west end, on which are carved the arms of St. Peter and St. Paul, of the crucifixion, &c. of Brews and Mauteby, Morley, Kerdeston, &c.; benefactors, no doubt, to this work, which was built in the reign of Henry VI." [i.e., 1422-1461] There must have been an earlier church here, however, since Blomefield (ibid.) gives "Simon de Ellesworth" first recorded rector of Salle, unfortunately 'sine data', and the first dated rector occurs in "1316, Mr. John Bacoun, presented by Sir Edmund Bacoun, Knt." The font cover here is listed in Paley (1844). Described and illustrated in Bond (1908): "The font at Sall has not only the figure scenes, but the emblems below of each sacrament. Baptism is symbolised by a casket for the holy oil; Confirmation by a mitre; the Eucharist by an altar slab; Penance by a rod; Extreme Unction by the soul as a little figure rising out of a shroud; Ordination by a chalice; the eighth panel is a representation of the Crucifixion, up to which an angel below gazes in an attitude of adoration". Bond (ibid.) describes the cover as a fine example of Gothic covers, "suspended from the end of a wooden crane projecting ten feet from the front of the tower gallery; a rope runs along the horizontal member of the crane and down to the winch." In Howard & Crossley (1919). In Cautley (1949). Studied in detail in Nichols (1994), who dates it to the third quarter of the 15th century; she gives the order of the scenes as: 1)Baptism; 2)Holy Orders; 3)Eucharist; 4)Crucifixion; 5)Extreme Unction; 6)Matrimony; 7)Penance; 8)Confirmation; she also identifies the donors as Thomas Luce, his wife and their son Robert, the chaplain. Described and fully illustrated in Knott (2004). On-site notes: Seven-sacrament font; it stands on a double plinth and is topped by a tall cover which is operated from a crane in the gallery balcony. The basin has some cracks and has lost a piece of the rim, probably during the removal of the original hinches; the carved areas have suffered some defacement. The area of the base has suffered worse fate than the basin panels themselves, as the fugures that stood on pedestals at the angles are all missing; the sides of the pedestal base are decorated with cinquefoil panels that appear to have been designed to serve as background to yet another set of figures, as there are tiny pedestals attached to them, now empty. The two step plinth has an upper surface and treads covered with inlaid [aka encaustic] tiles; the risers of the upper step are decorated with tracery, each side with a cinquefoiled panel between two quatrefoil-in-a-circle motif; the risers of the lower step bear an inscription in black lettering that identifies the sponsors of the font. Based on the inscription on the 2nd plinth, with its dedication to Thomas Luce, the font can be dated to circa 1489, date of his death. But Pevsner & Wilson (1997) write: "The inscription records the donor, who died in 1437". In Clausén (2021)
Credit and Acknowledgements: We are grateful to Jonathan Plunkett for the photographs of this church taken by his father, Goerge Plunkett, in 1950; we are also grateful to Janice Tostevin for her additional photographs of this font
COORDINATES
UTM: 31U 373672 5849390
Latitude & Longitude (Decimal): 52.779526, 1.127046
Latitude & Longitude (DMS): 52° 46′ 46.3″ N, 1° 7′ 37.37″ E
MEDIUM AND MEASUREMENTS
Material: stone, limestone?
Font Shape: octagonal, mounted
Basin Interior Shape: round
Basin Exterior Shape: octagonal
Drainage System: centre hole in basin?
Drainage Notes: Probably a central hole; the warden could not lift the font cover during our visit due to problems with the old crane
Rim Thickness: 14 cm*
Diameter (inside rim): 59 cm* (approx.)
Diameter (includes rim): 87-96 cm
Basin Depth: 33 cm* (approx)
Height of Basin Side: 31 cm*
Basin Total Height: 50 cm*
Height of Base: 65 cm*
Basin Upper Panel Dimensions: 31x34 cm*
Font Height (less Plinth): 115 cm*
Font Height (with Plinth): 174 cm* (with 2 plinths)
Notes on Measurements: * BSI. [NB: the measurements of the inside of the basin are approx. because the cover could not be lifted entirely during our visit]
INSCRIPTION
Inscription Language: Latin
Inscription Location: On the lower plinth of the font
Inscription Text: "Orate pro animabus Thome Luce et ... uxoris ejus, et Roberti filii eorum capellani, [...]"
Inscription Notes: Full English translation: "Pray for the souls of Thomas Luce and Agnes his wife, and Robert their son, chaplain, and those for whom they are bound to pray who caused this font to be made." (source: Church brochure) [cf. FontNotes]
Inscription Source: Cox & Harvey (1907 (for the Latin); church brochure for the English translation.
LID INFORMATION
Date: 15th-century / Perpendicular / Gothic
Material: wood, oak
Apparatus: Winch system: "tall cover suspended from the end of a wooden crane projecting ten feet from the tower gallery; a rope runs along the horizontal member of the crane and down to the winch." (Bond, 1985 c. 1908, p. 298)
Notes: The font cover is probably 8-9 feet tall and hangs from a large wooden bracket secured to the railing and wooden frame of the bell-ringers' gallery in the tower
REFERENCES
- Anderson, M.D., The Imagery of British churches, London: John Murray, 1955, p. 200 fn3
- Blomefield, Francis, An essay towards a topographical history of Norfolk, 1805-1810, vol. 8: 269-276 / [www.british-history.ac.uk/report.aspx?compid=78464] [accessed 30 October 2013]
- Bond, Francis, Fonts and Font Covers, London: Waterstone, 1985 c1908, p. 259, 264, 289, 298 and ill on p. 294
- Cautley, Henry Munro, Norfolk Churches, Ipswich: Norman Adlard & Co., 1949, p. 23, 25 and ill. on p. 37
- Clausén, Marie, "‘But the Fountain Sprang Up and the BirdSang Down’: Heidegger’s Gatheringof the Fourfold and theSeven-Sacraments Font at Salle,Norfolk.", 12, 464, Religion, 2021, pp. 1-32; p. 1-32
- Cox, John Charles, English Church Furniture, New York: E.P. Dutton & Co., 1907, p. 169, 183
- Davies, J.G., The Architectural Setting of Baptism, London: Barrie and Rockliff, 1962, p. 71, 86
- Howard, F.E., English Church Woodwork: a Study in Craftmanship during the Mediaeval period A.D. 1250-1550, London: B.T. Batsford, 1919, p. 326
- Hutton, Graham, English Parish Churches, London: Thames & Hudson, 1976, p. 46
- James, M. R., Suffolk and Norfolk, London, Toronto: Dent & Sons, 1930, p. 163 and ill. on p. 164
- Jenkins, Simon, England's Thousand Best Churches, London and New York: Allen Lane, the Penguin Press, 1999 [2000 rev. printing], p. 469
- Knott, Simon, The Norfolk Churches Site, Simon Knott, 2004. [standing permission to reproduce images received from Simon (February 2005]. URL: www.norfolkchurches.co.uk.
- Nichols, Ann Eljenholm, Seeable Signs: The Iconography of the Seven Sacraments 1350-1544, Woodbridge: The Boydell Press, 1994, 5, 6, 71, 77, 125, 170n, 171-172, 173n, 176, 194, 199, 209, 224, 225, 228-229, 234-235, 240, 242n, 244, 245, 253, 276, 277, 287, 289, 299, 305, 304-306, 309, 310-311, 314-316, 332, 339, 345-346, and plates 64, 80, 83, 88, 94
- Paley, Frederick Apthorp, Illustrations of Baptismal Fonts, London, UK: John van Voorst, 1844, p. 25
- Pevsner, Nikolaus, Norfolk 1: Norwich and North-East [2nd ed.], Harmondsworth: Penguin Books, 1997, p. 654
- Tasker, Edward G., Encyclopedia of Medieval Church Art, London: B.T. Batsford, 1993, p. 196