Mauriac

stading permission

Results: 33 records

Click to view images and/or subjects

B01: design element - motifs - interlace - River Jordan? Baptism scene

Scene Description: a band of gold interlace on a red background; three haloed heads peek over it -- this scene could relate to Matthew 3, 5-12

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B02: human figure - head - haloed - 3

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B03: Apostle or saint - St. John the Baptist?

Scene Description: haloed figure in an arch, to the left of the Baptism scene

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B04: New Testament - public life of Christ - baptism of Christ

Scene Description: in one of the arches; the water is represented with a thick braid

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B05: Apostle or saint - St. Michael - slaying the dragon

Scene Description: he appears to be holding a sword in the left hand

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B06: Christ - Christ in Majesty - right hand raised in benediction - left hand holding book? or chalice?

Scene Description: under a richly decorated arch, Christ, enthroned, holds what appears to be a book or a chalice in His left hand

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 9 October 2004)

B07: Christ - Agnus Dei - haloed - with cross - in a circle - rope motif

Scene Description: the circle around the Lamb is a rope

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B08: angel - haloed - open wings - Gabriel? - Annunciation?

Scene Description: the angel faces left and has both hands parallel in that direction

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B09: Apostle or saint - Evangelists - St. Mark - symbol - winged lion

Scene Description: Haloed and facing right

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B10: Apostle or saint - Evangelists - St. Luke - symbol - winged bull

Scene Description: Haloed and facing left

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 4 November 2004)

B11: Apostle or saint - Evangelists - St. John - symbol - eagle

Scene Description: Haloed, facing left

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B12: Apostle or saint - Evangelists - St. Matthew - symbol - angel

Scene Description: The angel holds a book in its left hand

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

B13: design element - architectural - arcade - round arches

Scene Description: housing figures and scenes [cf. FontNotes]

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 9 October 2004)

B14: symbol - cross - Greek - in a circle

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 4 November 2004)

BBL01: design element - motifs - interlace - quatrefoil with circle - god symbol

Scene Description: one of several symbols that appear on the lower basin side

Image Source: www.art-roman.net

Copyright Instructions: Permission to reproduce the web images received (e-mail Sept. 27, 2002)

BBL02: design element - motifs

Scene Description: below the Greek cross

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 4 November 2004)

BBL03: design element - motifs - floral - fleur-de-lis

Scene Description: below the scene of the Baptism of Christ

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 4 November 2004)

BS01: design element - motifs - varied

Scene Description: a number of different motifs decorate some of the spandrels of the arcade

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 4 November 2004)

view of basin

Scene Description: [cf. Font notes]

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of basin

Scene Description: [cf. Font notes]

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of basin

Scene Description: [cf. Font notes]

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of basin

Scene Description: notice the damage and repair on the upper right side [cf. FontNotes]

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of basin - detail

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 4 November 2004)

view of basin - detail

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 4 November 2004)

view of basin - side

Scene Description: [cf. Font notes]

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of basin - side

Scene Description: [cf. Font notes]

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of basin - side

Scene Description: [cf. Font notes]

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of church exterior

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of font

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 9 October 2004)

view of font

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of font in context

Image Source: Juan Antonio Olañeta [www.claustro.com]

Copyright Instructions: Image and permission received (e-mail of 9 October 2004)

view of font in context

Scene Description: the door behind the font

Image Source: digital photograph taken in December 2007 by Dr. Brian Catlos

Copyright Instructions: stading permission

view of iconographic program

Image Source: digital image of an illustration in Guillaumont (2003)

Copyright Instructions: PERMISSION NOT AVAILABLE -- IMAGE NOT FOR PUBLIC USE

INFORMATION

FontID: 00340MAU

Church/Chapel: Basilique Notre-Dame-des-Miracles

Church Patron Saints: St. Mary the Virgin

Church Location: 15200 Mauriac, France

Country Name: France

Location: Cantal, Auvergne-Rhône-Alpes

Directions to Site: Mauriac is located on the D922, 65 kms N of Aurillac, in the Auvergne

Ecclesiastic Region: Diocèse de Saint-Flour

Font Location in Church: Inside the church. in the S aisle, W end

Century and Period: 12th century, Romanesque

Credit and Acknowledgements: We are grateful to www.art-roman.net, to Juan Antonio Olañeta, of www.claustro.com, and to Dr. Brian Catlos, for their photographs of this church and font

Church Notes: original church 11thC and 12thC. Listed in Mérimée [ref.: PA00093544]: "L'église actuelle a été construite à l'emplacement d'une église plus ancienne qui aurait été fondée par la reine Théodéchilde, petite-fille de Clovis. Plan de croix latine avec trois nefs. A l'intersection des transepts s'élève une coupole sous une tour octogonale. Deux autres tours carrées flanquent la façade occidentale. La nef est divisée en cinq travées, formées de piliers carrés. Les chapiteaux du choeur, des absides latérales, de la première arcade de la nef et des collatéraux sont sculptés. Certains sont historiés, d'autres ornés de feuillages ou d'animaux fantastiques. A l'extérieur, tous les modillons sont sculptés différemment. La porte méridionale est en ogive, mais l'ornementation est romane. Présence de bas-reliefs détruits durant la Révolution. L'archivolte du portail représente le zodiaque. Le tympan est couvert par un bas-relief représentant l'Ascension."

Font Notes: Click to view font notes

Tub-shaped baptismal font first described in Chabau (1897) and dated in Lasteyrie (1929) to the 12th century. Listed as an early baptismal font in the web version -augmented- of the Églises romanes de Haute Auvergne (tome 1, pp. 45-50) [cantalroman.free.fr/Histoire/quotid.htm]. The illustration available in the Index of Christian Art -from an original photograph by A.K. Porter (1923)- shows a tub-shaped stone font with a rim under which there is an arcade of round arches; each arch contains a figure, a scene or a decorative motif, the latter, typically Norman: Christ in Majesty (?); Agnus Dei; haloed figure of an angel; a lovely interlace motif with large loops over which appear three human heads; next is a haloed figure, (a saint?); another arch contains the baptism of Christ: Christ at left, John at right and the dove above in a "diving" position; this whole scene stands on a double-strand interlace motif; the next arch shows St Michael fighting a dragon. The four symbols of the Evangelists are included, each under a different arch (to the right of the winged ox, in the next arch, appear a pick-ax (?) and four rods). The lower rim of the font has four medallion-like ornaments: a loop motif, a sheaf-like motif, a triquetra motif and another loop motif. The base on which it rests appears modern. The Dictionnaire des églises... (1966-) dates it also to the 12th century and gives the stone as trachyte. Mentioned also in Delcor (1973), who identifies an Agnus Dei on its side and dates the font to the 12th century. Le Guillou (1993), who studies the program in detail, describes fourteen arches, in which he identifies the following scenes: 1)Agnus Dei, nimber and with cross; 2)Annunciation: Mary and Gabriel; 3)John the Baptist baptises followers in the Jordan [cf. Matthew 3, 5-12]; 4)John baptises Christ; 5)St. Michael and the dragon/devil; 6)an ornate cross; 7)Tetramorph: the four symbols of the Evangelists; 8)hammer and chisel? or hammer and nail?; 9)human figure with hammer? and chisel? or nail? [NB: Le Guillou (ibid.) prefers his own interpretation of this scene as the Instruments of the Passion and the figure about to hammer Christ to the cross, rather than Chabau's more conventional view that this is really the signature of the artist, a portrayal of himself and his tools]. The font is now painted in lively colours, though not very appropriately assigned. Craplet (1992) describes the program as: Christ in Majesty -- Pascal Lamb inscribed in a circle -- angel -- three heads emerging from a baptismal font? -- Baptism of Christ by John -- St. Michael defeating the dragon -- potent cross inscribed in a circle of foliage -- four symbols of the evangelists: eagle, angel, lion and bull/ox - tools of the artist and the artist himself. Noted with a diagram of the iconographical programme in Moulier (1999). Guillaumont (2003), who studies the iconography of this font in the context of other monuments in this area of the Auvergne, suggests that the scene of the man with tools appears "comme la liaison logique entre l'image du chrétien architecte et les évangélistes qui occupent les médaillons suivants", and makes reference to Noah and the prophet Elisha. Listed in Palissy [ref.: PM15000248]: "fonts baptismaux [...] 12e siècle [...] Creusés dans un bloc de trachyte du pays, la cuve repose sur un fût circulaire. Fond extérieur peint en rouge, avec les motifs dorés."

COORDINATES

Church Latitude & Longitude Decimal: 45.218056, 2.331944

Church Latitude & Longitude DMS: 45° 13′ 5″ N, 2° 19′ 55″ E

UTM: 31T 447547 5007391

MEDIUM AND MEASUREMENTS

Material: stone, trachyte (volcanic stone)

Number of Pieces: two

Font Shape: tub-shaped (mounted)

Basin Interior Shape: round

Basin Exterior Shape: round

Diameter (includes rim): 118 cm* / 120 cm**

Basin Total Height: 58 cm*

Notes on Measurements: * Craplet (1992: 309) -- [Le Guillou (1993: [76]) gives the circumference as 3.70 cm] **[Muzac (1983) and Moulier (1999)]

REFERENCES

Dictionnaire des églises de France, Belgique, Luxembourg, Suisse, Paris: R. Laffont, 1966-

Chabau, J-B., abbé, "La cuve baptismale de Mauriac, XII siècle", t. VIII/5, Revue de l'art chrétien, 1897

Craplet, Bernard, Auvergne romane, La Pierre-qui-vire, Yonne: Zodiaque, 1992

Delcor, M., "Les cuves romanes et leur figuration en Roussillon, Cerdagne et Conflent", 4, Cahiers Saint-Michel-de-Cuxa, 1973, pp. 96-109, 4 pl.; r["References"]

Enlart, Camille, Manuel d'archéologie française depuis les temps mérovingiens jusqu'à la Renaissance, Paris: Alphonse Picard & fils, 1902

Guillaumont, Agnès, Mythologie chrétienne de l'eau à travers quelques exemples de la sculpture romane d'Auvergne et du Velay: Saint-Michel-d'Aiguilhe, Chassignolles, Nonette, Mauriac, Mozac, Saint-Saturnin (Cantal): Association du site de Gergovie, 2003

Index of Medieval Art, The Index of Medieval Art, Index of Christian Art, Princeton, [s.d.]. URL: https://theindex.princeton.edu/.

Lasteyrie du Saillant, Robert Charles, conte de, Architecture réligieuse en France à l'époque romane (2e éd., avec une bibliographie critique par Marcel Aubert), Paris: A. Picard, 1929

Le Guillou, Jean, "Essai d'interprétation des sculptures de la cuve baptismale romane de l'église paroissiale de Mauriac", 55, 1, Revue de la Haute-Auvergne, 1993, pp. 76-88; r["References"]

Moulier, Pierre, Églises romanes de Haute-Auvergne: contributions à un iventaire regional, Nonette: Éditions Créer, 1999

Muzac, André, Notre-Dame-des-Miracles, 1983

Porter, A. Kingsley, Romanesque sculpture of the pilgrimage roads, Boston MA: [s.n.], 1923