Vange nr. Roma / Vänge / Vanga / Vänga

Image copyright © Baptisteria Sacra Index, 2023
Results: 328 records
B01: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Creation of Adam
Scene Description: On the left sits an angel with the head of reclining figure on its lap. Adam lies horizontal; angel's right hand over the face of Adam; angel looks at viewer. To the right the figure of God, (full frontal) wears a hat, head inclined over right shoulder; right arm bent at elbow and raised, right hand has two-finger sign of benediction over the head of Adam; the left arm rests above Adam's left hand. Across the middle is the naked body of Adam, head facing upward. IN THE SPANDREL a seated angel, hands holding its wings
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
B01: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Creation of Adam - detail
B02: New Testament - public life of Christ - Christ blessing the children
Scene Description: In the centre is Christ in Majesty [NB: SK: Gotland identifies as a possible Sermon on the Mount]. Holding a cross, long hair, right arm and gesture of benediction. Left arm bent at elbow and holds the cross. To the right, is the Madonna and Child. Madonna is seated. She hold a child in her left arm, child sits diagonally, her right hand supports her head which is inclined. To the left of Christ is a seated figure which is in profile, head slightly bent forward. Right arm bent at elbow at 45* angle and palms stretched - gesture of adoration or praise. Left arm and palm outward. Sermon on the Mount? According to Roosval. In the spandrel - a four legged animal.
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
B02: New Testament - public life of Christ - Christ blessing the children - detail
B02: New Testament - public life of Christ - Christ blessing the children - detail
B02: New Testament - public life of Christ - Christ blessing the children - detail
B02: New Testament - public life of Christ - Christ blessing the children - detail
B03: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - labours of Adam and Eve
Scene Description: Adam and Eve in the right part of the composition, Eve sits, long hair, right hand holds spindle and left arm holds wool. Behind her to the left is Adam who wears a knee-length garment, his left arm holds a branch and the right hand holds an axe. He is cutting a tree.
ON THE LEFT OF THE SAME COMPOSITION/ARCH -- Eve is dressed with a skirt, upper torso is naked, breasts are visible and carries a sledge hammer with both hands. Adam stands to her right and his hands are holding a shovel handle and his right foot on the shovel. Behind them on the lower part, rocks. Above, Adam's shoulder is the hand of God
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
B03: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - labours of Adam and Eve - detail
B03: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - labours of Adam and Eve - detail
B04: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Temptation and Fall - Adam, Eve and the Serpent
Scene Description: In the middle of the scene is the tree of knowledge. To the right is Eve sitting down and left hand rests on her left leg and across her stomach, palm open. Right arm across her chest holds an apple to her mouth. Adam is standing full frontal, ;ong mane of hair. Right arm bent at elbow raised up and holding an apple. The left hand bent at elbow covers his genitals. To the left of the tree, is a figure, holds a sword in his right hand and another weapon or candle in his left hand (pointed upward). SPANDREL Delilah cutting Samson's hair
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
B04: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Temptation and Fall - Adam, Eve and the Serpent - detail
B04: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Temptation and Fall - Adam, Eve and the Serpent - detail
B04: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Temptation and Fall - Adam, Eve and the Serpent - detail
B04: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Temptation and Fall - Adam, Eve and the Serpent - detail
B04: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Temptation and Fall - Adam, Eve and the Serpent - detail
B05: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Creation of Eve
Scene Description: This program moves from the right to the left. In one arch the scene of God creating Eve is shown. God is on the right sitting on a throne (stool) and pulls Eve from Adam's ribs. God's face is turned to the viewer. Body in profile. Right hand holds Eve by the neck and left hand around the thigh. Eve's body is in profile. Her leg goes down. Adam's body is stretched horizonally across/ diagonally across the scene - head turned to viewer (as was Eve's head) and arms extended with palms open. To the left is the coiled snake. IN THE SPANDREL FOLLOWING THE SCENE (TO THE LEFT) Samson fights the lion
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
B05: Old Testament - Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve - Creation of Eve - detail
BS01: animal - mammal - quadruped - regardant
BS02: New Testament - Passion of Christ - Zacchaeus in a Tree
BS02: New Testament - Passion of Christ - Zacchaeus in a Tree
BS02: New Testament - Passion of Christ - Zacchaeus in a Tree - detail
BS03: Old Testament - the time of Samson - the book of Judges - story of Samson and Delilah (Judges 16:4-21) - Samson's hairlocks are cut off by Delilah
BS03: Old Testament - the time of Samson - the book of Judges - story of Samson and Delilah (Judges 16:4-21) - Samson's hairlocks are cut off by Delilah - detail
BS04: Old Testament - the time of Samson - the book of Judges - Samson - fighting a lion
BS04: Old Testament - the time of Samson - the book of Judges - Samson - fighting a lion - aspis
BS05: angel - holding and spreading out wings
BU01: New Testament - Childhood and youth of Christ - Nativity
Scene Description: UNDERSIDE OF THE BOWL: Christ's Nativity. There are two people holding the infant while the Virgin reclines on a bed. These two figures may be servants or one of them might be Joseph.
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
BU01: New Testament - Childhood and youth of Christ - Nativity - detail
BU02: New Testament - Childhood and youth of Christ - Visitation - embracing (under the scene of Christ Preaching)
Scene Description: VISITATION SCENE: This arch contains four figures, and probably two scenes. (underside of bowl) the scene on the right, two figures. The figure on the right is an angel - it has wings, and points the right hand to the figure next to it. The figure to its left is in profile but look full front - and has both hands extended to the angel on the right. The next scene (on the left of the colmposition) - two figures in profile, embracing =- the figure to the right of the two looks full front - the figure on the left has a head in profile. On the arch in the top middle is a sphere with a cross on it. ON THE SPANDREL an angel. THESE TWO SCENES REPRESENT THE VISITATION AND THE ANNUNCIATION.
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
BU02: New Testament - Childhood and youth of Christ - Visitation - embracing - detail
BU03: New Testament - Childhood and youth of Christ - Annunciation
Scene Description: ANNUNCIATION SCENE: This arch contains four figures, and probably two scenes. (underside of bowl) the scene on the right, two figures. The figure on the right is an angel - it has wings, and points the right hand to the figure next to it. The figure to its left is in profile but look full front - and has both hands extended to the angel on the right. The next scene (on the left of the composition) - two figures in profile, embracing - the figure to the right of the two looks full front - the figure on the left has a head in profile. On the arch in the top middle is a sphere with a cross on it. ON THE SPANDREL an angel. THESE TWO SCENES REPRESENT THE VISITATION AND THE ANNUNCIATION. (Annunciation to Mary occurs beneath the scene of Christ Preaching on basin)
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
BU03: New Testament - Childhood and youth of Christ - Annunciation - Mary to the left, Gabriel to the right - detail
BU04: Apostle or saint - St. Stephen - martyrdom by stoning
Scene Description: SCENE ON UNDERSIDE OF BOWL. Across the top four faces, under them, a second row of four faces. Under that a bed with below that has showing stones. To the right is a figure holds a stone in left hand - the right hand is raised in benediction. To the right stand a figure in profile and the left hand clutches a sword point down. The right arm bent at elbow holds up an object - a stone? Were the previous two men, in spandrel holding loaves too? This would make 13 present. To the left a standing figure faces away from the scene(table) at the extreme left, two figures. The figure on the right, standing in profile, a large figure, holds the other figure on the left with both arms across the body.The figure to the left has the head down and appears in distress.IN THE SPANDREL - A figure lying down with hands bound is being torched or killed by a small figure with a lance or crowbar spearing out the eyes or head of bound person.
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
BU04: Apostle or saint - St. Stephen - martyrdom by stoning - detail
BU04: Apostle or saint - St. Stephen - martyrdom by stoning - detail
BU04: Apostle or saint - St. Stephen - martyrdom by stoning - detail
BU04: Apostle or saint - St. Stephen - martyrdom by stoning - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents
Scene Description: In this arch there are four figures (UNDERSIDE OF BOWL) ARCH NO.3 To the right stand a figure without the head. Next to it stands a figure holds an axe in left hand across its chest. Its right hand point to the left. The next figure stands full front, left arm close to body and holding a long object (sword or club) Right hand points (two fingers in benediction across chest. The Figure to the left (Madonna and Child?) is woman holding a child in left arm - she holds the cross to her breast and the child right arm, diagonally across mother's chest is extended and is in benediction. Left arm holds her mother's left thumb. In SPANDREL two fgiures holding round objects in their right hands.
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU05: New Testament - Childhood and youth of Christ - conflated scene - Adoration of the Kings - Madonna and Child - Joseph - Massacre of the Innocents - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist
Scene Description: UNDERSIDE SCENE NUMBER 1 (MOVING FROM RIGHT TO LEFT) The scene (under one arch) has four figures. The figure to the right is dressed in animal skins He wears a hat and bearded and his head faces upward. (lies sidewys). It appears to be St.John the Baptist preaching. To his left is a woman's figure, full frontal, she wears a headcovering with ornaments, her left hand rests on the table, holding a large knife. The right arm rises vertially up and her hand is bent and pointing the finger to St.John. Is she Herodias as Roosval suggests? To the left is a king crowned, looking toward the scene of woman and St.John. His right arm holds a sword pointing up. The left arm is up and the hand points a finger to St.John (across his neck the finger is held). King Herod. To the left stands a man in profile he right arm extended forward and holds a large chalice the left hand raised above it- and above this man there is a dove. (Stephan and the cock - accorrding to Roosval).IN THE SPANDREL Three men wearing all the same hats, holding stones, to stone stephan who was the first martyr.
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BU06: Apostle or saint - St. John the Baptist - Salome asking for the head of John the Baptist - Herod orders the beheading St. John the Baptist - detail
BUS01: angel - showing wings - pointing to left and right
BUS01: angel - showing wings - pointing to left and right
BUS02: human figure - spearing the eyes of a bound person
BUS02: human figure - spearing the eyes of a bound person - detail
BUS02: human figure - spearing the eyes of a bound person - detail
BUS03: Apostle or saint - St. Stephen - martyrdom by stoning - two men in spandrel throwing stones
BUS03: Apostle or saint - St. Stephen - martyrdom by stoning - two men in spandrel throwing stones - detail
BUS04: New Testament - Childhood and youth of Christ - three Wise Men - adoration of the kings - three magi bearing gifts
BUS04: New Testament - Childhood and youth of Christ - three Wise Men - adoration of the kings - three magi bearing gifts - detail
BUS04: New Testament - Childhood and youth of Christ - three Wise Men - adoration of the kings - three magi bearing gifts - detail
BUS05: unidentified
BUS05: unidentified
LBH01: animal - mammal - lion - head - with prey in its jaws
LBH01: animal - mammal - lion - head - with prey in its jaws
LBH02: animal - mammal - lion - head - with prey in its jaws
LBH02: animal - mammal - lion - head - with prey in its jaws
LBH03: animal - mammal - lion - head - with prey in its jaws
LBH03: animal - mammal - lion - head - with prey in its jaws
LBH03: animal - mammal - lion - head - with prey in its jaws - detail
LBS01: Apostle or saint? - unidentified
design element - architectural - arcade - round arches - columns with capitals and bases - 5
Scene Description: as usual in Hegvald, an uneven arcade; capitals and bases decorated with a number of motifs; some of the arch-heads are decorated with circles (?) towards the centre, again, a common occurrence in Hegvald
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 19 August 2012 by BSI
design element - architectural - arcade - round arches - columns with capitals and bases - 5
design element - motifs - floral or foliage
design element - motifs - roll moulding
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view of base - detail
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view of base - detail
view of base - detail - haloed semi-figure
view of base - east side
view of basin - detail
view of basin - detail
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view of basin - east side
view of basin - interior
view of basin - interior - detail
view of basin - interior - detail
view of basin - side 2
view of basin - side 3
view of basin - side 4
view of basin - side 5
view of basin - sides 2, 3
view of basin - sides 3, 4
view of basin - sides 4, 5
view of basin - sides 5, 1
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - detail
view of basin - underbowl - east side
view of basin - underbowl - east side
view of basin - underbowl - north side
view of basin - underbowl - northeast side
view of basin - underbowl - northeast side
view of basin - underbowl - northeast side - detail
view of basin - underbowl - northeast side - detail
view of basin - underbowl - northwest side
Scene Description: four figures huddled into a singele arch on the northwest side of the underbowl: the two on the left constitute the Visitation; the two on the right are Mary and Gabriel in the Annunciation -- Hegvaldr's hands!
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2023
Image Source: digital photograph taken 23 May 2018 by BSI
view of basin - underbowl - northwest side - detail
view of basin - underbowl - northwest side - detail
view of basin - underbowl - south side
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south side - detail
view of basin - underbowl - south-southwest side
view of basin - underbowl - southeast side
view of basin - underbowl - southwest side
view of basin - underbowl - southwest side - detail
view of basin - underbowl - southwest side - detail
view of basin - underbowl - southwest side - detail
view of basin - underbowl - west side
view of basin - underbowl - west-northwest side
view of basin - underbowl - west-southwest view
view of basin - upper view
view of church exterior - north portal
view of church exterior - north portal - west side - detail
view of church exterior - north side
view of church exterior - northwest view
view of church exterior - south portal
Scene Description: opening into the nave -- showing in the upper are carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south portal - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south view
view of church exterior - south view
view of church exterior - south view - buttress
view of church exterior - south view - detail
Scene Description: towards the east end -- Samson fights the lion
Copyright Statement: Image copyright © YlvaS [Britt-Marie Sohlström], 2009
Image Source: digital photograph taken 25 June 2009 by Britt-Marie Sohlström [www.flickr.com/photos/ylvas/3757860856/] [accessed 16 January 2013]
Copyright Instructions: CC-BY-SA-3.0
view of church exterior - south view - detail
view of church exterior - south view - detail
view of church exterior - south view - detail
view of church exterior - south view - detail
view of church exterior - south view - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south view - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south view - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south view - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south view - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south view - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - south view - detail - Byzantios workshop
Scene Description: carved stones originally from the Romanesque church that were incorporated into the Gothich church; they are characteristic of the Byzantios workshop of Gotland
Copyright Statement: Image copyright © Baptisteria Sacra Index, 2025
Image Source: digital photograph taken 1 June 2023 by BSI
view of church exterior - southeast end - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast end - frieze - detail
view of church exterior - southeast portal
view of church exterior - southeast portal
view of church exterior - southeast portal
view of church exterior - southeast portal - detail
view of church exterior - southeast portal - detail
view of church exterior - southeast portal in context
view of church exterior - southeast view
view of church exterior - southwest end - detail
view of church exterior - southwest portal
view of church exterior - southwest portal
view of church exterior - southwest portal
view of church exterior - southwest portal
view of church exterior - southwest portal - detail
view of church exterior - southwest portal - detail
view of church exterior - southwest portal - detail
view of church exterior - southwest portal - detail
view of church exterior - southwest portal - detail
view of church exterior - southwest view
view of church exterior - tower - detail
view of church exterior - tower - northwest side
view of church exterior - tower - south side - detail
view of church exterior - tower - west side - detail
view of church exterior - west view
view of church exterior - west view
view of church exterior south view
view of church exterior southeast view
view of church exterior southwest view
view of church interior - Holy Rood
view of church interior - chancel - arch - north side - detail
view of church interior - chancel - arch - north side - detail
view of church interior - chancel - sacristy - portal
view of church interior - chancel - sacristy - portal - door
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - chancel - sacristy - portal - door - detail
view of church interior - detail
view of church interior - doorway
view of church interior - doorway - detail
view of church interior - looking east
view of church interior - looking west
view of church interior - nave - detail
view of church interior - nave - detail
view of church interior - nave - looking east
view of church interior - nave - looking west
view of church interior - pulpit and sounding board
view of church interior - retable
view of church interior - sacristy - portal
view of church interior - sacristy - portal - door
view of font
view of font
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view of font
view of font - east side
view of font - east side
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view of font - north side
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view of font - northeast side
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view of font - south side
view of font - south-southwest - side
view of font - southeast side
view of font - southwest side
view of font - southwest view
view of font - west side
view of font - west side
view of font - west-northwest side
view of font in context
INFORMATION
FontID: 00014VAN
Object Type: Baptismal Font1
Church/Chapel: Vänge kyrka
Church Location: Vänge, 622 36 Romakloster, Gotland, Sweden
Country Name: Sweden
Location: Gotland, Gotlands län
Directions to Site: Located off local road I534, E of county road 143, 6-7 km SSE of Roma, about 25 km ESE of Visby
Ecclesiastic Region: Visby stift -- Vänge församling
Historical Region: Gotlands norra harad, Halla ting, Gotlands län
Font Location in Church: Inside the church, in its original location, at the W end, beneath the tower arch
Date: ca. 1130?
Century and Period: 12th - 13th century, Late Romanesque
Workshop/Group/Artisan: Hegvald / Hegwald
Church Notes: Church has magnificent pulpit, rood, iron work; it must have been a wealthy church once. A set of reliefs high on the exterior south wall of the chancel are identified as Byzantios and are of the type found on thie baptismal fonts of this workshop: an arcade of round arches resting on low columns, containing a griffin, a running man, a satanding Apostle, the Triumphal entry into Jerusalem, two standing Apostles, a haloed woman, a satnding bishop with staff and mitre, a Spinario with a erect penis.
Font Notes:
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Described and illustrated in Sveriges kyrkor: Gotland (Bd. IV, hft. 3: 440-453) as a roughly cylindrical mounted sandstone baptismal font, identified as a work belonging to the Hegwald group of fonts and dated to ca. 1130 by Roosval; as in other works by this workshop, the basin has an arcade all around its sides containing several scenes identified as: the Creation of Eve, the Fall, Angel with two swords, Eve at work spinning, Adam and Eve at work, and a possible Sermon on the Mount. On the underbowl, another arcade containing several scenes identified as: the Annunciation and Visitation under one arch; a Nativity; Herod and Herodias at the table, with John the Baptist on the side and Stephen with the cock, all elbow-to-elbow under one arch; a busy dining scene in the next arch; the spandrels of the arcade are also crowded with the stoning of Stephen, the Magi with gifts, etc. The old plinth is reported in the churchyard [ca. 1952]. In Lundberg (1937), Stenström (1975), Nordström (1984) and Svanberg (1995). Kroesne & Steensma (2004) describe it as "one beautiful example [...] sculpted by Hegvaldr in the twelfth century." Noted and illustrated in the SHM Medeltidens bildvärld [ref.: 910812F3] as a baptismal font made of sandstone in the mid-12th century by Hegvald. On-site notes: the font is in excellent condition with paint remains still evident on it. The bowl is incised with five arches with scenes around the sides, with another five arches around the underbowl, but there are more than five scenes per program, with several conflated scenes occurring. The top scenes (on the basin sides) depict mainly Old Testament scenes, with the exception of the scene which is interpreted either as a Majestas Domini or the Sermon on the Mount [cf. supra]. The scenes on the underbowl are New Testament scenes, including one depicting the Last Supper [cf. ImagesArea for a full description of the scenes on both basin and underbowl]. The centre ring on the base has a snake-like design. Nordström (1984) notes that there are several episodes from the story of Samson and the Lion on this font (they actually occur in the spandrels of the basin arcade). The base has three protruding beast heads devouring their prey some of which takes the form of strange-looking birds; a single haloed figure appears on one of the sides. The plinth now [1997] under the font is modern [cf. supra for the old plinth whereabouts]. [NB: re-visited 23 and 26 May 2018]
COORDINATES
Church Latitude & Longitude Decimal: 57.451961, 18.511431
Church Latitude & Longitude DMS: 57° 27′ 7.06″ N, 18° 30′ 41.15″ E
UTM: 34V 350682 6370432
MEDIUM AND MEASUREMENTS
Material: stone, sandstone
Number of Pieces: two (plus plinth)
Font Shape: cylindrical (mounted)
Basin Interior Shape: round
Basin Exterior Shape: round
Drainage Notes: no lining
Rim Thickness: 10-12 cm*
Diameter (inside rim): 54-55 cm*
Diameter (includes rim): 76-77 cm* / 76 cm**
Basin Depth: 26-28 cm*
Height of Basin Side: 31-33 cm*
Basin Total Height: 47-52 cm*
Height of Base: 45-50 cm*
Font Height (less Plinth): 97 cm* / **
Font Height (with Plinth): 112-113 cm*
Notes on Measurements: * BSI on-site [NB: measurements are a composite of several takings by BSI] / ** SHM Medeltidens bildvärld [ref.: 910812F3
REFERENCES
Davies, J.G., The Architectural Setting of Baptism, London: Barrie and Rockliff, 1962
Fåhraeus, Fredrik, "Dopfuntarna, deras tillbehör och placering på Gotland under medeltiden. En inventering.", Stockholm, 1974
Gustafsson, Evald, "Törnutdragaren i Gotlands 1100-talskonst [=Spinario in the Medieval Art of Gotland]", 41 (1958), RIG-Kulturhistorisk tidskrift, 1958, pp. 97-105; p. 95ff
Hedenstierna, Charlotte, "Steffan var en stalledräng…", 4, ICO – Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, 1994, pp. 1-11; p. 6, fig. 5
Kroesen, Justin E.A., The Interior of the medieval village church = Het middeleeuwse Dorpskerkinterieur, Leuven: Uitgeverij Peeters, 2004
Lindblom, Andreas, Gotländska stenmästare, Malmö: Allhems Förlag, 1959
Lundberg, Erik, "Problemet Hegvald", 1937
Lundmark, Efraim, Sveriges kyrkor: Gotland, Stockholm: G. Tisell, 1925-1990
Nordström, Folke, Mediaeval Baptismal Fonts: An Iconographical Study, Stockholm: Universitetet i Umeå, 1984
Roosval, Johnny, ""Tomas Biskop" på Nora funt?", 1947, Ångermanland: årsbok ... utgiven av Ångermanslands hembygdsförbund, 1947, pp. 37-47; [??]
Roosval, Johnny, Die Steinmeister Gottlands: Eine Geschichte der führenden Taufsteinwerkstätte des schwedischen Mittlealters, ihre Voraussetzungen und Begleit-Erscheinungen, Stockholm: A.-B. C.E. Fritzes K. Hofbokhandel, 1918
Rydbeck, Monica, Skånes stenmästare före 1200, 1936
Sjogren, D., "Kommentar. Annu en svensk Herkules?", 1 (1984), ICO – Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, 1984, pp. 32-35, 2 fig.; p. 32-35
Stenström, Tore, "Problem rörande Gotlands medeltida dopfuntar", Umeå, 1975
Svanberg, Jan, "Stenskulpturen", Den Romanska Konsten, Lund: Bokförlaget Signum, 1995
Tuulse, Armin, Romansk konst i Norden, Stockholm: Albert Bonniers Forlag, 1968